Tag Archives: The Church

And finally, 1984’s 10 great alternative albums

It had to happen eventually. I mean, it was inevitable that I would run out of years from which to compile a list of ten great alternative albums. Most people tend to be like me, I think. We have a window of time when we pay close attention to the new and exciting music, but then we get older and our attention gets pulled in other directions. Oh, sure, there are a few people out there who are able to keep their fingers on the pulse. I’m not one of them. My window began to close in the late 80s.

Looking back over the lists I have done in this series (1977, 1978, 1979, 1980, 1981, 1982, 1983, 1985, and the combined years of 1986-1989), I can see that I have my favorite artists. XTC, Husker Du, The Church, Buzzcocks, and The Replacements all have multiple entries. What can I say? I like what I like. I also like jangly guitars as this list will attest.

I might do a list of 10 albums from the 90s, but I’m certain I won’t be able to muster this sort of list for any more individual years. So, here are my choices for the ten greatest alternative albums from 1984.

It’s my list, your results may vary.

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10) Stop Making Sense – Talking Heads I haven’t listed a live album before on any of these lists, but this one, along with the film, is so good. I never did get to see Talked Heads live, so having this album and the video made for a decent substitute. Once In A Lifetime, Psycho Killer, and Burning Down The House are standout versions of those classic songs. However, my favorite track is a from a David Byrne solo project, The Catherine Wheel, with a new arrangement for Talking Heads.

Favorite track: What A Day That Was

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9) The Smiths – The Smiths There’s loads of melancholy and moaning Morrissey on this debut album by the quintessential 80s UK alternative band, The Smiths. There’s also plenty of excellent guitar work (some of it jangly) by the fantastic Johnny Marr. The darkness of Morrissey’s lyrics is nicely balanced by Marr’s light touch on the guitar. OK, Miserable Lie does tend to get on my nerves as the second half of the song has Morrissey wailing all falsetto to the point of making me say, “Next song!”

Favorite track: What Difference Does It Make?

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8) The Big Express – XTC This album is a little bit of a miss from my number two most favoritest band. I think that’s mostly due to the production. The album is filled with that big, big, BIG 80s drum sound and it’s a little distracting. However, there is plenty of good stuff on here, including You’re The Wish You Are I Had, I Remember The Sun, and the Police-like (and relevant again given today’s political climate) This World Over.

Favorite track: Wake Up

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7) Like This – The dBs A little power pop, a little country. The dB’s had that jangly guitar sound I like so much. There’s some good lyrics, too. Especially on my favorite track, a macabre but catchy tune about suicide. Love Is For Lovers is an excellent opening track for an album filled with excellent songs.

Favorite track: Amplifier

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6) Mirror Moves – The Psychedelic Furs This album demonstrates just how open a friend and I were to new music in 1984. I don’t recall if my friend had heard anything about the band before we bought tickets to see them in concert. I do remember we’d never heard any of their music. We really liked the band name, so we took a chance. Just after buying the tickets, my friend picked up this album. When we listened to it we knew we made the right concert-going decision. It is a terrific album.

Favorite track: The Ghost In You

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5) Zen Arcade – Husker Du This is the magnum opus for these originators of alternative rock from Minnesota. It’s hardcore, but it’s more than that. This is a big record (released as a double album) with the loose concept of following a kid heading out on his own into the big, bad world. It’s brilliant. Half of the songs come in at two minutes or less, but still pack a wallop. The final track, however, is an instrumental that lasts more than 15 minutes.

Favorite track: Newest Industry

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4) Learning To Crawl – The Pretenders This is the album that saw The Pretenders truly break into the mainstream, but their strong sense of independence kept their alternative cred alive. They continued their tough (I Hurt You, My City Was Gone) and tender (Thin Line Between Love And Hate, Show Me) song pattern and scored a couple radio hits (Middle Of The Road and my jangly guitar-laden favorite track). It’s a solid album by a band learning to crawl after the deaths of two of its original members.

Favorite track: Back On The Chain Gang

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3) Remote Luxury – The Church Shortly after signing with Warner Bros. in the US, their new label compiled the songs from two EPs released in their home country Australia, retaining the title of one of them, for this album release in the States. There’s more of a synth pop sound combined with the jangly guitars (I really like those) than on their previous efforts. And it works for the most part. Maybe These Boys is a little much and wasn’t a favorite of the band. Oh, and it took more than 30 years for me to realize the pun title of my favorite track. How embarrassing.

Favorite track: Constant In Opal

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2) Reckoning – REM Depending on when you ask me, this is usually the one I name when I’m asked which is my favorite REM album. And I’m asked constantly. It’s getting a little weird, actually. Anyway, this sophomore effort is crammed with jangly guitars. Have I mentioned I like jangly guitars? Because I really like jangly guitars. Standout tracks include: Pretty Persuasion, Harborcoat, So. Central Rain (I’m Sorry), and Second Guessing.

Favorite track: (Don’t Go Back To) Rockville

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1) Let It Be – The Replacements This is the critic’s darlings from Minneapolis’ last release on the independent label Twin/Tone before going to the major leagues and it just might be their best. The songwriting of Paul Westerberg had become even stronger, clearer, and more heartfelt. He was cooking with gas! Great songs such as Sixteen Blue, Answering Machine, and Unsatisfied showed that Westerberg was a major songwriting talent. Still the band retained its sense of humor and irreverence with a cover of Kiss’ Black Diamond, Tommy Gets His Tonsils Out and Gary’s Got A Boner. Peter Buck of REM appears to lend a little jangly guitar (how I love it so) to my favorite track. And what a great photo on the album cover!

Favorite track: I Will Dare

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1981: Nine Great Alt Albums And One Album By The Who

Preceded by lists for 1977, 1979, 1980, 1982, 1983, 1985, and 1986 – 1989, my semi-regular series examining ten of my favorite alternative albums of a given year continues with 1981. 1981 wasn’t as abundant of a year for alternative music for me as the previous years I’ve written about have been. It took a bit of scraping to get a list of ten. In fact, I could only find nine that I knew and liked well enough, so I’m including an album by The Who to bring the list to ten.

One artist on this list would move into the mainstream soon enough and another was about to achieve super-stardom. However, I consider them both alternative enough to be included. There are two debuts and four second efforts on this list.

As always, this is my list, your results may vary.

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10) Talk Talk Talk – The Psychedelic Furs A friend and I bought tickets to see these guys in concert just because we liked their name. Right after buying the tickets, that friend picked up one of their albums and listening to it we knew we made the right decision. This isn’t that album, but it’s also really good. It is their second release and it features Pretty In Pink in its first incarnation. It became the band’s signature song when it was re-recorded and slightly altered for the movie it inspired.

Favorite track: Into You Like A Train

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9) Ghost In The Machine – The Police Yes, I know these guys were pretty popular by the time this album came out. It went to number 2 in America. Yes, I know that really does take them out of the alternative category, but I still think they had that alt vibe. Certainly with their next album, Synchronicity, they would become rock superstars. This album is a little on the dark and moody side with stand out tracks including Invisible Sun and Spirits in the Material World.

Favorite track: Every Little Thing She Does Is Magic

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8) Pleasant Dreams – Ramones The opening track had the Ramones declaring We Want The Airwaves in order to keep rock alive. Well, they never did get those airwaves. The music industry just never gave the Ramones their due. The album includes the song The KKK Took My Baby Away, which has been long rumored to have been Joey writing about fellow bandmate Johnny stealing his girlfriend. However, this rumor has been disputed.

Favorite track: Sitting In My Room

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7) Face Dances – The Who Hey, the way I look at it, if I can only find nine alternative albums for a year and there’s a Who album available, put it on the list. This was the legendary rock band’s first studio release after the death of Keith Moon. There were those who thought the band should have folded and, in my opinion, that thinking led to the unfavorable reaction to this record. Sure, the steady beat of Kenney Jones couldn’t hope to capture Moon’s mania, but there are still some pretty solid tracks on this one. And it has the best opening track since Who Next’s Baba O’Riley.

Favorite track: You Better You Bet

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6) Solid Gold – Gang Of Four I love the guitar work of Andy Gill. He is one of my favorite guitarist of all time and Solid Gold, the band’s second album, gives listeners plenty of his edgy, staccato, feedback-laden rhythm and lead guitar. Cheeseburger, If I Could Keep It For Myself, Paralysed, and Outside The Trains Don’t Run On Time are all cool songs. Lots of social commentary on this album.

Favorite track: He’d Send in the Army

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5) Magnets – The Vapors More than one-hit wonders to me, The Vapors only managed to produce two albums. This is their second effort and it’s pretty dark. It explores themes ranging from cult leaders to oppressive governments to police brutality to the assassinations of the Kennedys. There ain’t no Turning Japanese on this one. The album cover was illustrated by Where’s Waldo? artist Martin Handford.

Favorite track: Magnets

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4) Of Skins and Heart – The Church This was the debut album by this band out of Australia, which was more on the rocking and New Wave side than subsequent releases. It’s a very good first album with some great tracks including For A Moment We’re Strangers, Too Fast For You, and the epic Is This Where You Live. These guys would quickly become one of my favorite bands of the 80s.

Favorite track: The Unguarded Moment

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3) Pretenders II – The Pretenders It makes absolute sense to call this one Pretenders II, because it is the prefect follow up and companion to their self-titled debut album. It’s a continuation of the band’s tough (The Adultress, Bad Boys Get Spanked) and tender (I Go To Sleep, Birds Of Paradise) songs. There are also some straight up excellent rocking pop songs (Talk Of The Town, Day After Day). It wouldn’t be long after this release that the Pretenders would come to the attention of a wider audience.

Favorite track: Message Of Love

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2) Sorry Ma, Forgot To Take Out The Trash – The Replacements This is the second debut album on this list and it’s one of the best debuts ever. These Minneapolis rockers were in their raw, sloppy, hardcore phase. But there was still some excellent song writing going on, most notably of the track Johnny’s Gonna Die, songwriter Paul Westerberg’s lament about his rock hero, Johnny Thunders, was living too recklessly to live long. He didn’t.

Favorite track: I’m In Trouble

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1) My Life In The Bush Of Ghosts – Brian Eno/David Bryne This is an endlessly fascinating album. Eno and Byrne who had worked together producing excellent albums by Talking Heads, took a break between Talking Heads albums to work on this project. It is a brilliant combination of found sounds, ambient and World music with electronics and voice sampling used as vocals. It is mesmerizing. Several musicians included Chris Frantz, Prairie Prince, and Robert Fripp lend a hand in the production of this landmark album.

Favorite track: The Jezebel Spirit

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1982 Gave Us These 10 Excellent Alternative (Mostly) Albums

Continuing with my look at excellent alternative albums from the days of yore (or from when I was young and kept up with what was going on), this week I’ll be listing ten albums released in 1982. I have previously covered 1979, 1980, 1985, and in one blog the combined years 1986-1989. Yes, I’m jumping around, but it keeps you on your toes.

Since I do only ten albums, there are years that some great releases are left off my list. I limit my choices to albums I know, so some really good albums don’t make the cut because I don’t know them well enough. For example, Devo released their fifth album – Oh, No! It’s Devo!– in 1982. I’m only familiar with three or four of the tracks, so it’s not on the list.

Enough preamble! On with the list.

As always, these are my choices. Your results may vary.

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10) Pleasure Victim – Berlin This EP didn’t make the cut initially, but Wikipedia goofed up and I had to replace an album on this list (see correction below). Good thing, too, because I really like this record, even if it might not be considered high art. It produced a minor hit for the group – Sex (I’m A…), before they exploded in popularity by having a song on some airplane movie soundtrack a couple years later. Very synthy and very catchy. And more than a little kitschy.

Favorite Track : The Metro

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9) The Gift – The Jam By the time The Jam, one of the UK’s most popular bands to emerge from the Punk/New Wave scene, recorded this their last album, their sound was far more ’60s Pop than the crashing drums, clanging guitar, and thumping bass of their first few releases. They were much more refined in the sound and, as it turned out, Paul Weller was ready to move on. As swan song albums go, this one is awfully good.

Favorite Track: Town Called Malice

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8) The Sky’s Gone Out – Bauhaus This third album by the Godfathers of Goth is my favorite by the band. There’s an excellent opening track which is a cover of Brian Eno’s Third Uncle and plenty of other dark and brooding tunes to be found. Spirit would have gotten the favorite track status, but I prefer the single version.

Favorite Track: All We Ever Wanted Was Everything

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7) All The Best Cowboys Have Chinese Eyes – Pete Townshend Of course, this entry explains the use of “mostly” in the headline. Townshend really can’t be considered alternative, but he’s my favorite songwriter, so he’s on the list. This album was more musically challenging than the more accessible Empty Glass (1980), Townshend’s most commercially successful solo effort. Among the more challenging songs such as The Sea Refuses No River, Stardom In Acton, and Exquisitely Bored can be found the pop gems Face Dances Pt2 and Stop Hurting People.

Favorite Track: Slit Skirts

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6) Chronic Town – REM This EP announced the arrival of a small college town band that would become superstars of rock by the end of the decade. Five tight, bouncy, jangly guitar-dominated tunes with mumbled lyrics are all that is offered, but it was enough to change the direction of alternative music for decades to come. It’s a landmark.

Favorite Track: Gardening At Night

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5) Peter Gabriel (Security) – Peter Gabriel Gabriel was still reluctant to name his albums, but this album was labeled Security when released in the States and in Canada. Whatever its name, it may be my favorite album by the former member of the UK prog band Genesis. My favorite track turned out to be a hit and the video of the song demonstrated that videos could be (should be) more than just featuring the artist miming the song in a faux concert performance. Videos could be (should be) art.

Favorite Track: Shock The Monkey

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4) Stink – The Replacements Another EP makes the list with the second release by the critic’s darlings from Minneapolis. Just eight blazingly quick tracks, none lasting more than three minutes and most under two, showcase the punk ethos of these rock ‘n’ rollers. There are glimpses of the more refined pop sound that would come with age and experience. For now the boys are still pretty hardcore.

Favorite Track: Kids Don’t Follow

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3) Combat Rock – The Clash Sure, this album made it to #7 on the US album charts and earned double platinum status also in the States, but The Clash were still a bunch of punk rockers. Joe Strummer went on walkabout and disappeared from the public eye for a time because he was overwhelmed by the band’s success. Well, it is a very good album that produced a couple of hits: Should I Stay Or Should I Go and Rock The Casbah.

Favorite Track: Know Your Rights

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2) English Settlement – XTC This was the last album XTC would record before the band stopped touring. It’s a transition album showing how the band was moving from the heavy guitar pop/rock with a little quirk thrown in to more lush productions. No Thugs In Our House is really the only rocker on this double album which is giving over to a more pop yet pastoral sound. Stand out tracks include Runaways, English Roundabout, Snowman, All Of A Sudden, and Jason And The Argonauts.

Favorite Track: Senses Working Overtime

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1) The Blurred Crusade – The Church This sophomore effort by Australia’s The Church might just be their best. The guitar playing is fantastic and Steve Kilbey’s vocals are mesmerizing. There is plenty of the ethereal atmosphere that was signature to the band’s sound included in the more rocking tunes (my favorite track is a good example). Almost With You is a great opening track and To Be In Your Eyes is one of my favorite loves songs of all time. The band would produce other terrific albums, but I don’t think they ever quite matched this one.

Favorite Track: You Took

Correction! 3-30-17: While preparing another 10 albums list, this time for 1983, I noticed Wikipedia had led me astray. I use Wikipedia to see which albums were released in a given year. When looking through the list of albums released in 1983, I saw that Wikipedia had the debut album by Violent Femmes on that year’s list – April 1983. But, they also had it on the 1982 list – November 1982. You can check for yourself.

Well, I had to fix that. Violent Femmes was released in 1983, so I’ve replaced it with Berlin’s second release – Pleasure Victim.

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10 Great Alternative Albums From The Second Half Of The ’80s

I have previously written about some of the great alternative albums from the years 1979 and 1985, this time I will pull ten excellent albums from 1986, 1987, 1988, and 1989. I know you’re asking why I don’t dedicate a blog to ten albums from each of those years. Well, it’s because the alt music of those years just didn’t have the same appeal for me, making it difficult to come up with ten for each year. Perhaps I became more focused on certain artists, so newer ones got short shrift. I don’t know.

The second half of the ’80s, a time just prior to the music industry discovering a way to market this music, saw Nirvana‘s first album Bleach (1989) released. The seed was sown, but it would be another couple of years and the smell of spirited teens before punk or alternative or modern rock or whatever you call it began to earn big money in the States.

Enough of my prattling, here’s my list:

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10) 54-40 – 54-40 (1986) Hailing from British Columbia, Canada 54-40 was a group of socially conscious, leftist rockers. This album has plenty of that big ’80s drum sound echoing throughout, but they still manage some tender moments such as on I Go Blind, a song that was a charting success when covered by the terribly bland Hootie & the Blowfish. Other stand out tracks include Me Island, the funky I Wanna Know, and Take My Hand.

Favorite track : Baby Ran

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9) Mind Bomb – The The (1989) The The had mainly consisted of singer/songwriter/musician Matt Johnson until just prior to recording this album. He then formed a band which included the legendary Johnny Marr, former guitarist of the ’80s alternative icons, The Smiths. On Mind Bomb, Johnson takes a critical look at world religions. The album’s first track Good Morning Beautiful opens with the Islamic call to prayer and then has Johnson asking listeners a series of questions to challenge whose voice we are heeding. Sinead O’Connor lends her dynamic vocals to the duet Kingdom Of Rain.

Favorite track: The Beat(en) Generation

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8) A Bell Is A Cup…Until It Is Struck – Wire (1988) I was tempted to go with The Ideal Copy (1987) which has the excellent song Ahead, but this album works better for me as a complete project. There’s a cool smoothness to their blend of guitars, keyboards, and vocals, especially so on the opening track Silk Skin Paws.

Favorite track: Kidney Bingos

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7) Fisherman’s Blues – The Waterboys (1988) I really, really like this album. It’s a more folksy, Celtic effort than their previous horn-filled albums. Strings replace the horns this time around for a fine effect. The album feels traditional, but there is only one traditional song – When Will We Be Married. And there is a cover of Van Morrison’s Sweet Thing which works very well in this mix, despite my general dislike of Van Morrison songs. I guess when sung by someone else the songs are more agreeable to me.

Favorite track: And A Bang On The Ear

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6) Animal Boy – Ramones (1986) This is my favorite of the Ramones‘ ’80s releases. The production might be a little slicker than their ’70s output, but it’s still a Ramones album with tracks such as Apeman Hop, Eat That Rat, and Crummy Stuff. The opening track, Somebody Put Something In My Drink, features Joey Ramone at his growling best.

Favorite track (tie): My Brain Is Hanging Upside Down (Bonzo Goes To Bitburg) and Something To Believe In

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5) Pleased To Meet Me – The Replacements (1987) This is the first Replacements album after the departure of original lead guitarist Bob Stinson. Another guitarist hadn’t been found yet; so, while Tommy Stinson, Luther Dickinson, and Alex Chilton each lent a hand, it’s Paul Westerberg who does most the guitar playing. I particularly like the guitar sound on the song The Ledge. I don’t know if it’s Westerberg or Chilton, but it’s great. This album also includes the longingly sad Skyway, which soon became a singalong favorite at their shows. How my favorite track never became a number one hit on the American pop charts, I’ll never know.

Favorite track: Can’t Hardly Wait

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4) Psonic Psunspot – The Dukes Of Stratosphear (1987) The Dukes’ follow-up to their classic mini-LP 25 O’Clock (1985) is a continuation of their homage to the eclectic sounds of ’60s pop. You can hear echos of The Byrds, Cream, The Hollies, The Beach Boys, and The Beatles all in there. And the band was also quite generous to other musical acts. The Dukes allowed their guitars to be used to record the number one album on this list. Wink, wink, nod, nod.

Favorite track: Brainiac’s Daughter

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3) Heyday – The Church (1986) This is The Church‘s fourth album, which sees the band’s always guitar-driven sound becoming more ethereal and mid-tempo. Heyday also saw the introduction of horns on the rocking Tantalized. And Steve Kilby’s voice is at its best, especially on the opening track Myrrh.

Favorite track: Disenchanted

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2) Doolittle – Pixies (1989) Oh, man, did I dig this album when it came out. One night when hanging out with friends, we were going to head off to some other location and more than one person was driving. A friend won the battle as to which car I would ride in when he told me he would be playing Doolittle. The choice was easy! Pixies were honing their sound on this album, making it more accessible to a wider audience, while still holding onto their angry, artsy, punkish roots. There’s lots of screaming by Black Francis, but also lots of catchy hooks.

Favorite track: Here Comes Your Man

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1) Skylarking – XTC (1986) My favorite album by my second favorite band. (You know WHO my favorite is, don’t you?) The first pressing did not include their first hit in the States – Dear God. That was one of the two B-side songs of the single Grass. But radio DJs liked it and played it into a hit and onto the album’s second pressing it went. I bought the first pressing, which was the first new XTC album I bought since discovering them a year or two earlier. The album is filled with pop music gems including: Summer’s Cauldron/Grass (the opening two songs that were actually played together while recording); That’s Really Super, Supergirl; The Meeting Place; and Season Cycle.

Favorite track: Earn Enough For Us

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