Tag Archives: Talking Heads

More Alt Album Greats, This Time From 1978

I have done top ten lists of great alternative albums from 1977, 1979, 1980, 1981, 1982, 1983, 1985, and the combined years of 1986 – 1989. The years for me to draw from are nearly used up, because these years are from my personal era of paying close attention to the alternative music scene (or any music scene for that matter). I guess for most of us there is that time when music is close to an all-consuming obsession, but as we age we just don’t have that need to keep up with what’s going on.

Besides, most of the more recent stuff sucks! Whoops. I slipped into grandpa mode there.

I do have a couple of years left that I can feature, so let’s get on with 1978. By the way, this list clearly disputes the notion of the sophomore slump, the phenomenon that postulates that an artist has their whole life to write their first album, but only a year or so to write their second, so the second album suffers. Half of this list is second releases.

This is also the first great alternative albums list I’ve done that features a band with two entries.

This is my list, your results may vary.

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10) Outlandos d’Amour – The Police It’s true this band would be worldwide rock superstars in less than five years from this album’s release, but in 1978 they were as alternative as a band could get. Far better musicians than many of their punk contemporaries, The Police combined reggae and punk to create their signature sound. Roxanne was a bit of a hit at the time (which they would ruin in concert by drawing it out to the point of shear tedium) and it’s a good song, but it’s not my favorite track. Other stand out tracks include: Next To You, Truth Hits Everybody, and Can’t Stand Losing You.

Favorite track: So Lonely

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9) Give ‘Em Enough Rope – The Clash Overlooked in favor of their debut album or their third album the classic London Calling, Give ‘Em Enough Rope is a very good sophomore effort. The band branches out in their sound a bit more on this album. There’s still the aggressive punk and the reggae influence, but there’s also a touch of Disco (!) to be found in the song Stay Free.

Favorite track: Safe European Home

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8) Chairs Missing – Wire This is another sophomore effort by another pioneering punk band. Wire took their music in a more artful, avant garde direction than most of their punk compatriots. Chairs Missing has the punk aggression (Sand In My Joints, Too Late) alongside the artfully weird (I Am The Fly, I Feel Mysterious Today). And they even deliver as catchy a pop song as any pop band, as my favorite track demonstrates. All with lyrics that are completely inscrutable.

Favorite track: Outdoor Miner

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7) Road To Ruin – Ramones When Modern Rock radio became a commercial success in the Twin Cities market, after Nirvana broke punk rock into the American mainstream consciousness, you might have thought the Ramones had only one song. That is if you were going by what the Modern Rock station was playing. They only played I Wanna Be Sedated. It was infuriating to any Ramones fan. Road To Ruin gave us that song, but it also gave us I Just Want To Have Something To Do, I’m Against It, and She’s The One. For shame, Modern Rock radio, for shame.

Favorite track: Needles And Pins

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6) Q: Are We Not Men? A: We Are Devo – Devo This debut album by those unusual boys from Ohio set the music world on its head. What is this? What kind of Rolling Stones cover is that? The excellent kind is what! Much more guitar based than later releases, Are We Not Men is full of catchy quirkiness. There’s Jocko Homo, Praying Hands, Gut Feeling/(Slap Your Mammy), and that Stones cover (I Can’t Get No) Satisfaction. All great!

Favorite track: Uncontrollable Urge

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5) Love Bites – Buzzcocks Sophomore efforts continue with this release by another of punk rock’s pioneers. Almost from the beginning, Buzzcocks delivered a more pop version of punk. Sure there was the angst and frustration, but all of it was delivered with such great melodies and hooks. And I love hooks! Stand out tracks include Ever Fallen in Love (With Someone You Shouldn’t’ve), Just Lust, Love Is Lies, and the terrific instrumental Walking Distance.

Favorite Track: Nothing Left

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4) More Songs About Buildings And Food – Talking Heads Again we have ourselves a second effort by a punk pioneer. Like Wire, Talking Heads had a more artsy approach to their sound, however they tended not to be as aggressive. As was the case with most of their albums, Brian Eno was co-producer along with the band. This is the one with the excellent cover of Al Green’s Take Me To The River, which was the first song I’d ever heard by this legendary band.

Favorite track: I’m Not In Love

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3) Go 2 – XTC Yep. Sophomore slump be damned! If anything XTC improved upon their songwriting from their debut album White Music (1977). Still in their quirky, edgy, pop/punk phase, this collection of songs is more focused. Bass player Colin Moulding’s songwriting had improved significantly since that first album and keyboardist Barry Andrews contributed two decent songs. But Andy Partridge was still in control.

Favorite track: Are You Receiving Me?

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2) All Mod Cons – The Jam It can be said that the sophomore slump did affect UK Mod band, The Jam. Their second album This Is The Modern World (1977) was not nearly as well received as their debut (In The City also from 1977), but they righted the ship with this their third studio release. The album moves by at a brisk 37 minutes, but it is packed with outstanding tunes and sophisticated songwriting as heard on Mr. Clean, ‘A’ Bomb On Wardour Street, and Down In The Tube Station At Midnight.

Favorite track: It’s Too Bad

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1) Another Music In A Different Kitchen – Buzzcocks I said there would be an artist with two entries on this list and it’s the Buzzcocks. It should be obvious that the band was really good in those early years. Crashing by at a faster clip than All Mod Cons, at just under 36 minutes, don’t think you won’t get your money’s worth. The band comes blasting out of the gate with Fast Cars and they don’t let up. I Need, You Tear Me Up, Love Battery, Get On Our Own, and Fiction Romance will have your inner punk wanting get slam dancing to exhaustion, which is what I did whenever I saw these guys in concert. This album is relentless.

Favorite track: Autonomy

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The Year Is 1977. The List Is Ten Alternative Albums From That Year.

The world was witnessing the early stages of Punk Rock in 1977, sounding the death knell of Disco. OK, maybe not that dramatic, but the music listening public was seeing the first main wave of Punk albums being released in 1977. Seven of the ten albums I will list are debut releases. 1977 was fertile ground for new recording artists.

One of my entries might not be considered alternative, but it is difficult to categorize. Besides, this is my blog and I can include what I want. Also, the first reggae album I’ve ever ranked is included in this list.

So far I have done lists for 1979, 1980, 1982, 1983, 1985, and 1986-1989. And, as always, this is my list, your results may vary…

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10) Equal Rights – Peter Tosh Right off the bat is the first reggae album to be featured in one of these lists. I like reggae, but I don’t listen to it often and I don’t have many albums of that music from Jamaica. But, I do have this one. The opening track (my favorite) was co-written by Bob Marley and was originally recorded by The Wailers, but I prefer Tosh’s version. I also prefer Tosh’s voice to Marley’s. This is a nice, relaxing album about the need for equal rights and justice with a little religious undertone throughout.

Favorite track: Get Up, Stand Up

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9) Spiral Scratch – Buzzcocks The first debut release on this list is an EP by one of my favorite bands to emerge from UK’s Punk scene. Four pretty raw blasts of Punk energy featuring Howard Devoto on vocals. Devoto would not be with the band for long, but he did help set the tone and direction the band would take in his absence, when Pete Shelley would take over lead vocals.

Favorite track: Boredom

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8) Cheap Trick – Cheap Trick Maybe not exactly alternative, this debut album by the power pop rockers from Illinois is awfully hard edged when to compared to their albums that followed. They address pedophilia (Daddy Should Have Stayed In High School), serial killer Richard Speck (The Ballad of TV Violence), and the suicide of a friend of the band (Oh, Candy). It also features their excellent power ballad Mandocello.

Favorite track: Hot Love

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7) Pink Flag – Wire 21 tracks on this first studio release by these British art punkers. Wire demonstrated that Punk didn’t have to follow any rules. They went where their art took them, including into some very catchy pop (Mannequin). More than half a dozen songs clock in at less than one minute!

Favorite track: 12 X U

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6) Rocket To Russia – Ramones This is the third album by the original punk rockers from New York, so they’ve been showing those Brits how to do it for a while by 1977. A couple excellent covers (Do You Wanna Dance? and Surfin’ Bird) along with plenty of classically twisted Ramones originals (Cretin Hop, We’re A Happy Family, and my favorite track) make this a must-own for any fan of alternative music.

Favorite track: Teenage Lobotomy

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5) Never Mind The Bollocks, Here’s The Sex Pistols – Sex Pistols A tighter collection of songs than you might expect from the kings of the UK Punk Rock scene. This is the only official studio album released by the Pistols and that seems completely proper considering the volatile nature of this band. This album set the template for a great number of lesser punk bands to follow. It has plenty of kick ass tracks including Holiday in the Sun, Anarchy in the UK, God Save the Queen and EMI, the band’s screed against their record label and the music industry itself.

Favorite Track: Pretty Vacant

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4) The Clash – The Clash Another debut album, this one is by what would become known as “the only band that matters.” It’s the US version of which I am more familiar, so I’m kinda bending the rule here, because, technically, that version was released in 1979. Oh, well, the US version is being used here because it’s the Punk thing to do and it does contain my favorite track. There are plenty of good songs on this one: Janie Jones, White Riot, Career Opportunities, and (White Man) In Hammersmith Palais to name a few.

Favorite track: I Fought the Law

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3) Talking Heads: 77 – Talking Heads Yep, another debut album. New York’s Talking Heads took a more artful approach to the Punk Rock sound. David Byrne’s unusual and detached vocals preside over a really tight band. They explored and embraced a kind of quirky worldview both lyrically and musically. (Can you explore a worldview musically? Oh, well, it sounded good when I wrote it.) And there’s a sense of fun to this album that is missing from much of the alternative music of this time.

Favorite track: Psycho Killer

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2) Low – David Bowie Part of his “Berlin Trilogy,” Low is my favorite album by Bowie. Much of the music was written with the intent of being used as the score for Bowie’s film debut, The Man Who Fell To Earth, but the director didn’t think it worked. The second half of the album consists of mostly instrumental tracks. Very moody.

Favorite track: Sound And Vision

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1) In The City – The Jam Heavily influenced by my favorite band The Who, how could this debut album from the UK’s top Mod rock band not be number one on my list? Filled with forceful, brash, and blaring rock songs with power chords aplenty, The Jam quickly shot to the top of my list of favorite bands. The Jam were also influenced by 60s garage rock and the Motown sound, mixing all of it to become one to the UK’s most popular acts. They even cover the Batman Theme!

Favorite track (Tie): In The City and Art School

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Another Ten Pretty Passable Alt Albums, This Time From 1983

Well, they are more than merely passable. They’re pretty damn good and a few are great, in my opinion. The year is 1983 and these albums all fall into the alternative category, although a couple of them are by artists who were on their way to the big time. One of these bands was about to become rock superstars. Hint: It wasn’t The Replacements.

So far I have done lists for 1979, 1980, 1982, 1985, and the combined years of 1986 – 1989.

As I always say, this is my list. Your results may vary.

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10) Burning From The Inside – Bauhaus Due to illness, Peter Murphy’s contribution to this the fourth album by UK Gothic rock pioneers was lessened. David J and Daniel Ash did more of the song writing than before and took on more lead vocals. It’s been suggested that Murphy’s absence and the increased involvement of J and Ash led to the break-up of the band shortly after its release. The dark and disturbing title track, along with Slice Of Life, Honeymoon Croon, and the uplifting Hope are all standout tracks.

Favorite track: She’s In Parties

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9) Violent Femmes – Violent Femmes The debut album of this sex-angst-ridden band out of Wisconsin is largely acoustic in sound, but punk to its core. However, who could possibly have known in 1983 that the opening track – Blister In The Sun – would become a staple song clip played at sporting events all over America? Weird. Oh! Did I mentioned there’s xylophone! Well, there is!

Favorite track: Gone Daddy Gone

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8) Subterranean Jungle – Ramones Three cover songs (Little Bit O’ Soul, I Need Your Love, and Time Has Come Today) and a harder edge to most of their original songs for the album had critics describing Subterranean Jungle as somewhat of a return to these New York punkers’ roots. Of course, the album didn’t sell as well as any by REO Speedwagon, but I do recall hearing Little Bit O’ Soul on the radio, however briefly. And ever the romantic, Joey delivers one of the band’s better love songs – My-My Kind Of A Girl.

Favorite track: Psycho Therapy

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7) Hootenanny – The Replacements A little disjointed with a couple of the tracks capturing this Minneapolis band’s legendary drunkenness, but the album also sees Paul Westerberg maturing as a songwriter with such songs as Color Me Impressed and Willpower. Lovelines is an entertaining trip through the personals ads with lyrics pulled directly from actual ads.

Favorite track: Within Your Reach

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6) Speaking In Tongues – Talking Heads It took five albums, but the artsy fartsy punk band from New York finally got a Top 10 single with the opening track – Burning Down The House. The band was on its way to becoming stars in the rock world, but they are not the superstars to which I was referring.

Favorite track: This Must Be The Place (Naive Melody)

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5) War – U2 This is the band I meant when I mentioned rock superstars. They hadn’t gotten there as of 1983. It would take a another four years and the release of The Joshua Tree to make these Irish rockers kings of the world of rock and pop. However, this album was awfully damn successful, selling 11 million copies worldwide. Sunday Bloody Sunday, Seconds, Two Hearts Beat As One, and Surrender are all great tracks.

Favorite track: New Year’s Day

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4) Metal Circus – Husker Du Main rivals of The Replacements, these hardcore punks out of St. Paul were rising fast in the indie/college rock scene. It’s been said Husker Du practically invented alternative music. Technically an EP, Metal Circus had the band transitioning from the speed/thrash hardcore of their earlier efforts to the more melodic alternative sound of their next two albums – Zen Arcade and New Day Rising.

Favorite track: First Of The Last Calls

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3) Mummer – XTC The first album recorded by this band from Swindon, England after they had confined themselves to the studio due to Andy Partridge’s live performance ending stage fright. No longer concerned about playing the songs live opened new avenues and textures for the band to explore. Drummer Terry Chambers would leave the band before the recording of Mummer was complete, because he preferred to be in a band that would play live. Their music continued moving away from the early quirkiness and then more rocking sound to a more acoustic and pastoral sound, the one exception being the last track – Funk Pop A Roll. Notable songs include Wonderland, Great Fire, and In Loving Memory Of A Name.

Favorite track: Love On A Farmboy’s Wages

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2) Murmur – REM REM could be considered to have reached that same rock superstardom as was achieved by U2. Maybe not quite as super, but they got close. Along with Husker Du, REM was instrumental in setting the foundation of what would come to be known as alternative rock. And Murmur is a landmark album. Indistinct vocals by Michael Stipe were surrounded by the driving, jangly guitar sound of Peter Buck throughout this collection of catchy college radio pop featuring such terrific songs as Catapult, Moral Kiosk, Laughing, and Pilgrimage.

Favorite track: Radio Free Europe

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1) Soul Mining – The The As this debut album was made, Matt Johnson was essentially the only member of the band. He did have several musicians lend a hand, but there was no official band. From the opening track – I’ve Been Waitin’ For Tomorrow (All Of My Life) – to the final track (on the American vinly release) – Perfect – it’s nothing but fantastic songs. Sophisticated and danceable and totally pleasurable. Jools Holland of Squeeze sits in to play my most favoritest piano solo on my favorite track. It’s killer!

Favorite track: Uncertain Smile

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10 Excellent Alternative Albums From 1980…

I am continuing with my love of the alternative rock/pop music of my youth with the year 1980. 1980 was a pretty good year for alternative music, having so many excellent debut releases. In fact, half of this list is made up of first albums. You might disagree as to my rankings, but this is my list which, I admit, is completely subjective. Your results may vary.

So far, I’ve covered 1979 and 1985 each on their own. And I did a combo top ten pulled from the second half of the 1980s. Just in case you are keeping track.

Here’s my list for 1980:

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10) In Combo – The Suburbs Part of that first wave of punk, New Wave, DIY bands from the 80s’ alternative music capitol, Minneapolis, The Suburbs are difficult to categorize. Staccato guitars, throbbing basslines, cascading keyboards, driving drums and inscrutable lyrics fill this fantastically slamdanceable debut album. These guys were a blast to see play live.

Favorite track: Cows

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9) New Clear Days – The Vapors Thought by most to be a One Hit Wonder, which they pretty much are, The Vapors did produce plenty of catchy guitar-driven tunes on this their debut album. Of course, there’s their one hit – Turning Japanese – but there are a few other highlights including News At Ten, Spring Collection, and Sixty Second Interval.

Favorite track: Waiting For The Weekend

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8) Crocodiles – Echo & The Bunnymen This is the third debut album on my list so far and it also is pretty damn good. Hailing from The Beatles‘ hometown, Echo & the Bunnymen had a sound more akin to The Doors. But, don’t hold that against them. They could produce aggressive punk songs such as title track and more arty tracks as demonstrated by Villiers Terrace. And they could craft a mighty good pop song such as my favorite track on the album.

Favorite track: Rescue

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7) End Of The Century – Ramones This is the godfathers of punk meets the genius of Motown album. The original punk rockers teamed up with producer Phil Spector creating a more lush sounding version of their high-powered punk. Stand out tracks include Rock’n’Roll High School, Chinese Rock, and the cover of The Ronnettes classic Baby, I Love You.

Favorite track: Do You Remember Rock’n’Roll Radio?

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6) Remain In Light – Talking Heads Picked by Rolling Stone as one of the best albums of the decade, Remain In Light had Talking Heads teamed once again with producer Brian Eno. The band continued to explore African rhythms and worked with other musical artists including Nona Hendyrx, Adrian Belew, and Robert Palmer.

Favorite track: Once In A Lifetime

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5) Peter Gabriel (Melt) – Peter Gabriel On this, the third of his four self-titled albums (fans called this one Melt due to the album cover artwork), Gabriel continued to craft artful pop and rock songs, inching closer to the highly successful pop sound realized on his fifth solo album, So. Much like Talking Heads, Peter Gabriel brought in several talented musicians to help record this album, including Paul Weller, Dave Gregory, Robert Fripp, and, former Genesis bandmate, Phil Collins.

Favorite track: Games Without Frontiers

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4) Sound Affects – The Jam Intentionally spelled incorrectly to indicate the title is an action rather than a thing, this fifth release by the UK Mods introduced a funkier and heavier bass sound, as on Pretty Green and Start!, and a smattering of horns on the track Dream Time.

Favorite track: That’s Entertainment

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3) Pretenders – Pretenders Another fantastic debut album, one of the best ever, enters the list. Chrissie Hynde’s vocals and attitude were a breath of fresh air in the male dominated world of rock music. Tough (Precious, Tattooed Love Boys) and tender (Kid, Lovers Of Today) describe this album. Awesome also describes it.

Favorite track: Brass In Pocket

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2) Underwater Moonlight – The Soft Boys This band was introduced to me by a DJ spinning records for the radio station on the Beloit College campus. She told me and two of my friends as we watched her work that The Soft Boys were a brilliant band and that we had to check them out. She was right. Led by British surrealist rocker Robyn Hitchcock, this album is great from start to finish. Catchy tunes, soaring guitars, tight harmonies, and some pretty odd lyrics make this debut so irresistible.

Favorite track: Queen Of Eyes

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1) Black Sea – XTC It’s no secret this criminally underappreciated band from Swindon, England is one of my most favorite in all of rock/pop music. And this was the first album of theirs that I had ever heard. A harder, more straight forward rocking album than their previous releases, Black Sea still has loads of great hooks and pop melodies. The opening track Respectable Street was the first XTC song I ever heard and I loved it instantly. I cannot over-stress just how good I think this album is. It is well deserving of being number one on this list.

Favorite track: Towers Of London

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1979. A great year in alternative music.

Ever since I went to art school in the mid-80s, my musical tastes have favored the alternative stuff. And, at the time, I can remember friends of mine with a similar taste in music remarking on how many of our favorite albums came out in 1979. I’m not sure why it was such a good year for alternative music. Perhaps it was that the punk bands getting better at playing their instruments. I guess the world will never know, but so what?

I’ve compiled a top ten list of my favorite punk or post-punk or power pop punk (is there such a thing?) from that great year in music: 1979…

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10) Look Sharp! – Joe Jackson  It may have had a Top 40 hit with Is She Really Going Out With Him?, but Jackson’s punkish pop waves the alternative banner quite well. In 1990, when the thrash metal band Anthrax covered Got The Time a friend said that it surprised him that he liked it so much. I said, “Of course, you do. Joe Jackson wrote it!”

Favorite track: Got The Time

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9) Regatta de Blanc – The Police  This album did fairly well, reaching 25 on the US album chart, but I still consider the band to have been in the alt bin in 1979. I think their brand of punk-infused reggae or reggae-infused punk, whichever, is great. These guys might just make it.

Favorite track: Message In A Bottle

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8) The Specials – The Specials  Produced by Elvis Costello, this album of two-tone British ska is still awfully infectious. Who knew an album filled with songs about unemployment, bad marriages, underage pregnancy, awful tasting beer, and racism could be so much fun.

Favorite track: A Message to You, Rudy

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7) The Undertones – The Undertones  This is what I mean by power pop punk. This Irish punk band produced a debut album of one pogo-inducing song after another. I loved the first time I listened to it.

Favorite track: Get Over You

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6) London Calling – The Clash  I realize having this album by the “only band that matters” in the sixth spot in a top ten list may seem low, but just think how great the rest of the list will be. Even though this album was released in December 1979, Rolling Stone magazine declared it the greatest album of the 80s. Go figure. It is an excellent album that demonstrated punk was so much more than leather jackets, safety pins, and slam dancing.

Favorite track: London Calling

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5) Fear Of Music – Talking Heads  The punk rock of New York City was very different than that of the UK. It was more arty than political. Always artful, this album found Talking Heads beginning to expand their sound, taking on some of that World Music feel they would later cultivate. Depending on what day you might ask me, I usually consider this my favorite Talking Heads effort.

Favorite track: I Zimbra

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4) Entertainment! – Gang of Four  Another hell of a debut album makes this list. Andy Gill is on my list of favorite guitarists; his choppy, feedback-laden rhythm guitar is mesmerizing. The lyrics are challenging in their socialist, anti-capitalist ideals; and the music blends disco and punk seamlessly.

Favorite track: I Found That Essence Rare

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3) Setting Sons – The Jam  If I had to rank my all-time favorite bands The Jam would likely come in number three, behind The Who and XTC, respectively. Being a bit of a Mod myself in those days, The Jam really appealed to me and this is my favorite of their albums.

Favorite track: Thick As Thieves

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2) Drums And Wires – XTC  XTC is my second favorite band and they’re not number one on this list?! Yep. Did The Who release an album in 1979? Yes, but not a new studio album.

This is an excellent album, their first after keyboardist Barry Andrews left and guitarist Dave Gregory joined. The sound is notably different without Andrews’ maniac keyboard playing. But Gregory was able to expand their sound and point the band into a direction away from quirky pop to a more rock heavy sound and then, later, a more pastoral form of pop music.

Favorite track: Making Plans For Nigel

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1) A Different Kind of Tension – Buzzcocks  My goodness, but this is a great album! I hadn’t listened to it in a while, until just recently. And when I did listen to it again, I was blown away.

Buzzcocks are another example of what I call power pop punk. Their songs can be extremely catchy. Listening to this album again had the 25 year-old in me wishing the 51 year-old me could still skank and pogo the way I used to: To exhaustion when seeing this band in concert. The knees and the back just won’t allow it.

These songs are all very tight and driven by some excellent drumming. This album is as much about the drums as it is about the swirling, buzzing guitars and drummer John Maher scores big. The transition from the end of Mad, Mad Judy (with the fantastic closing line, “I’ve got all the answers!”) to Raison D’etre takes my breath away. It’s possibly the greatest such transition between two songs ever!

The album is simply relentless and, I my opinion, the best album of 1979.

Favorite track: The whole damn album!

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Take it and make it your own.

Want a hit song? Do a cover! It worked for Joan Jett, Tiffany, UB-40 and a lot of other musical acts. Before The Beatles (who did their share of covers early on) pop stars weren’t expected to write their own tunes, but the Fabulous Foursome from Liverpool changed all that. The rest is rock’n’roll history.

Sometimes people aren’t even aware the song is a cover. Did you know Led Zeppelin’s Dazed and Confused is a cover? Stevie Wonder’s Superstition? Patsy Cline’s Crazy? Click here to get a list of songs most people are unaware are covers. If you knew, give yourself 10 points.

This week I want to look at a few cover songs by artists who didn’t do a faithful rendition. They made these songs their own…

Devo – (I Can’t Get No) Satisfaction (1977)

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Photo credit: Mother Jones

The Rolling Stones had started out doing mostly cover songs, but soon began writing their own songs and Satisfaction is probably the best of their early non-cover efforts. When Devo covered it and performed it on Saturday Night Live it was a real shocker. Cold and robotic dispassion seemed to be the way some of the New Wave was going on in the late 70s (see the next two entries) and Devo’s style may have had a lot to do with that. I dig the “babybabybabybabybaby” part that I can’t seem to pull off without gasping for air. Mark Mothersbaugh must have a far greater lung capacity than I do. Devo’s version is brilliant.

Talking Heads – Take Me To The River (1978)

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Photo credit: Gijsbert Hanekroot/Redferns

The late 70s cold detachment continues with this cover of an Al Green song by Talking Heads. Now I’m not saying Talking Heads were incapable of passion, there’s just a cool weirdness to this song. Al Green’s original is, of course, as soulful as soulful can get. It’s Al Green! Duh! Still my cold, cold heart prefers the Talking Heads’ rendition.

The Flying Lizards – Money (That’s What I Want) (1979)

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Photo credit: DB Burkeman

This wasn’t a Beatles’ song. No, The Beatles’ version is itself a cover of the original version recorded by Barrett Strong in 1959. Strong’s version is soulful and passionate, while The Flying Lizard’s version is cold and mechanical. It’s a cool, aloof, dispassionate and sparsely instrumented song that was recorded on the cheap. And it was a hit in the UK.

Johnny Cash – Hurt (2003)

Johnny-Cash-Hurt

Screen capture from Hurt video

OK, enough of the New Wave 70s detachment. This cover is anything but detached. Written by Trent Reznor and released by his band Nine Inch Nails in 1996, the original Hurt sounds more like a demo when compared to Cash’s far superior version. Cash brings a level of experience and understanding at age 71 that Reznor just didn’t have when recorded the song at age 30. The weariness in Cash’s voice is heartbreaking and the video has been hailed as one of the all-time best. Reznor wasn’t sure how the song would turn out when he was first told about Cash’s intent to record a cover, but when he saw the video he knew Cash nailed it. I think it’s more a case of Reznor writing the song for Johnny Cash, he just didn’t know it at the time.

Packing Peanuts!

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