Tag Archives: husker du

Grant Hart (1961-2017)

The mid80s were my time. I’m stuck there. I was in art school. I was young. And I found the music that became so very important to me. There was The Who, of course. They pretty much opened my eyes to what I considered more important music than what Top 40 radio had to offer.

The mid80s were also the Twin Cities’ (sure, mostly Minneapolis) time when it came to that important music. There were so many great local bands then. And there was the greatest concert venue First Avenue & the 7th Street Entry. First Avenue was the stage for those great local acts as well as national and international artists producing that important music.

3574812918_996a569d07_bHusker Du (from St. Paul) was one head of the three-headed Minneapolis Sound monster. The other two were The Replacements and Prince. I was a mild fan of Prince, a big fan of The Replacements, but Husker Du was my favorite. I used to say I liked The ‘Mats’ albums (slightly) better than Husker Du’s, but I liked Husker Du more when seeing them play live. Their shows were consistently more intense and fun. Husker Du still feels more like my band than The Replacements. I like them both, but somehow I always felt more connected to the Huskers.

Sometime in 1985, they played an in-store show at the record store just a couple blocks away from where I lived. I went to that store every week. One weekend, I walked in just as they were finishing putting away their equipment. Marty, one of the fellows working at the store, said, “Oh, Jim! You just missed it! You should have gotten here earlier.”

Up to that point, I had only heard of Husker Du. I didn’t know any of their music, but I didn’t want to look uncool, so I feigned disappointment.

It was about a week later when a friend bought Zen Arcade. We listened to it and loved it. That’s when I felt the disappointment.

Grant Hart, co-lead singer, co-songwriter, and drummer of Husker Du, died earlier today at age 56.

Hart was the one local musician I would see regularly hanging out at First Avenue. I remember the first time I spotted him there.  He was wearing a gold lame shirt and was in the area back by the pool tables, playing pinball. I nudged my friend and pointed out that a local musical giant was in our presence. I think my friend told me to settle down and be cool.

I spoke to Grant Hart only once. It was just before their final LP, Warehouse: Songs And Stories, was to be released. Word was that the album was going to be two disks. I was drying my hands in the restroom, when Hart walked by. I stopped him and said, “I hear the new record is going to be a double album.”

“That’s what they tell me,” was his answer and he walked on.

I’m sorry I don’t have anything more exciting to say of my experience with Grant Hart. I wasn’t an insider of the scene.

I was just a fan.

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And finally, 1984’s 10 great alternative albums

It had to happen eventually. I mean, it was inevitable that I would run out of years from which to compile a list of ten great alternative albums. Most people tend to be like me, I think. We have a window of time when we pay close attention to the new and exciting music, but then we get older and our attention gets pulled in other directions. Oh, sure, there are a few people out there who are able to keep their fingers on the pulse. I’m not one of them. My window began to close in the late 80s.

Looking back over the lists I have done in this series (1977, 1978, 1979, 1980, 1981, 1982, 1983, 1985, and the combined years of 1986-1989), I can see that I have my favorite artists. XTC, Husker Du, The Church, Buzzcocks, and The Replacements all have multiple entries. What can I say? I like what I like. I also like jangly guitars as this list will attest.

I might do a list of 10 albums from the 90s, but I’m certain I won’t be able to muster this sort of list for any more individual years. So, here are my choices for the ten greatest alternative albums from 1984.

It’s my list, your results may vary.

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10) Stop Making Sense – Talking Heads I haven’t listed a live album before on any of these lists, but this one, along with the film, is so good. I never did get to see Talked Heads live, so having this album and the video made for a decent substitute. Once In A Lifetime, Psycho Killer, and Burning Down The House are standout versions of those classic songs. However, my favorite track is a from a David Byrne solo project, The Catherine Wheel, with a new arrangement for Talking Heads.

Favorite track: What A Day That Was

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9) The Smiths – The Smiths There’s loads of melancholy and moaning Morrissey on this debut album by the quintessential 80s UK alternative band, The Smiths. There’s also plenty of excellent guitar work (some of it jangly) by the fantastic Johnny Marr. The darkness of Morrissey’s lyrics is nicely balanced by Marr’s light touch on the guitar. OK, Miserable Lie does tend to get on my nerves as the second half of the song has Morrissey wailing all falsetto to the point of making me say, “Next song!”

Favorite track: What Difference Does It Make?

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8) The Big Express – XTC This album is a little bit of a miss from my number two most favoritest band. I think that’s mostly due to the production. The album is filled with that big, big, BIG 80s drum sound and it’s a little distracting. However, there is plenty of good stuff on here, including You’re The Wish You Are I Had, I Remember The Sun, and the Police-like (and relevant again given today’s political climate) This World Over.

Favorite track: Wake Up

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7) Like This – The dBs A little power pop, a little country. The dB’s had that jangly guitar sound I like so much. There’s some good lyrics, too. Especially on my favorite track, a macabre but catchy tune about suicide. Love Is For Lovers is an excellent opening track for an album filled with excellent songs.

Favorite track: Amplifier

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6) Mirror Moves – The Psychedelic Furs This album demonstrates just how open a friend and I were to new music in 1984. I don’t recall if my friend had heard anything about the band before we bought tickets to see them in concert. I do remember we’d never heard any of their music. We really liked the band name, so we took a chance. Just after buying the tickets, my friend picked up this album. When we listened to it we knew we made the right concert-going decision. It is a terrific album.

Favorite track: The Ghost In You

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5) Zen Arcade – Husker Du This is the magnum opus for these originators of alternative rock from Minnesota. It’s hardcore, but it’s more than that. This is a big record (released as a double album) with the loose concept of following a kid heading out on his own into the big, bad world. It’s brilliant. Half of the songs come in at two minutes or less, but still pack a wallop. The final track, however, is an instrumental that lasts more than 15 minutes.

Favorite track: Newest Industry

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4) Learning To Crawl – The Pretenders This is the album that saw The Pretenders truly break into the mainstream, but their strong sense of independence kept their alternative cred alive. They continued their tough (I Hurt You, My City Was Gone) and tender (Thin Line Between Love And Hate, Show Me) song pattern and scored a couple radio hits (Middle Of The Road and my jangly guitar-laden favorite track). It’s a solid album by a band learning to crawl after the deaths of two of its original members.

Favorite track: Back On The Chain Gang

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3) Remote Luxury – The Church Shortly after signing with Warner Bros. in the US, their new label compiled the songs from two EPs released in their home country Australia, retaining the title of one of them, for this album release in the States. There’s more of a synth pop sound combined with the jangly guitars (I really like those) than on their previous efforts. And it works for the most part. Maybe These Boys is a little much and wasn’t a favorite of the band. Oh, and it took more than 30 years for me to realize the pun title of my favorite track. How embarrassing.

Favorite track: Constant In Opal

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2) Reckoning – REM Depending on when you ask me, this is usually the one I name when I’m asked which is my favorite REM album. And I’m asked constantly. It’s getting a little weird, actually. Anyway, this sophomore effort is crammed with jangly guitars. Have I mentioned I like jangly guitars? Because I really like jangly guitars. Standout tracks include: Pretty Persuasion, Harborcoat, So. Central Rain (I’m Sorry), and Second Guessing.

Favorite track: (Don’t Go Back To) Rockville

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1) Let It Be – The Replacements This is the critic’s darlings from Minneapolis’ last release on the independent label Twin/Tone before going to the major leagues and it just might be their best. The songwriting of Paul Westerberg had become even stronger, clearer, and more heartfelt. He was cooking with gas! Great songs such as Sixteen Blue, Answering Machine, and Unsatisfied showed that Westerberg was a major songwriting talent. Still the band retained its sense of humor and irreverence with a cover of Kiss’ Black Diamond, Tommy Gets His Tonsils Out and Gary’s Got A Boner. Peter Buck of REM appears to lend a little jangly guitar (how I love it so) to my favorite track. And what a great photo on the album cover!

Favorite track: I Will Dare

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Another Ten Pretty Passable Alt Albums, This Time From 1983

Well, they are more than merely passable. They’re pretty damn good and a few are great, in my opinion. The year is 1983 and these albums all fall into the alternative category, although a couple of them are by artists who were on their way to the big time. One of these bands was about to become rock superstars. Hint: It wasn’t The Replacements.

So far I have done lists for 1979, 1980, 1982, 1985, and the combined years of 1986 – 1989.

As I always say, this is my list. Your results may vary.

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10) Burning From The Inside – Bauhaus Due to illness, Peter Murphy’s contribution to this the fourth album by UK Gothic rock pioneers was lessened. David J and Daniel Ash did more of the song writing than before and took on more lead vocals. It’s been suggested that Murphy’s absence and the increased involvement of J and Ash led to the break-up of the band shortly after its release. The dark and disturbing title track, along with Slice Of Life, Honeymoon Croon, and the uplifting Hope are all standout tracks.

Favorite track: She’s In Parties

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9) Violent Femmes – Violent Femmes The debut album of this sex-angst-ridden band out of Wisconsin is largely acoustic in sound, but punk to its core. However, who could possibly have known in 1983 that the opening track – Blister In The Sun – would become a staple song clip played at sporting events all over America? Weird. Oh! Did I mentioned there’s xylophone! Well, there is!

Favorite track: Gone Daddy Gone

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8) Subterranean Jungle – Ramones Three cover songs (Little Bit O’ Soul, I Need Your Love, and Time Has Come Today) and a harder edge to most of their original songs for the album had critics describing Subterranean Jungle as somewhat of a return to these New York punkers’ roots. Of course, the album didn’t sell as well as any by REO Speedwagon, but I do recall hearing Little Bit O’ Soul on the radio, however briefly. And ever the romantic, Joey delivers one of the band’s better love songs – My-My Kind Of A Girl.

Favorite track: Psycho Therapy

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7) Hootenanny – The Replacements A little disjointed with a couple of the tracks capturing this Minneapolis band’s legendary drunkenness, but the album also sees Paul Westerberg maturing as a songwriter with such songs as Color Me Impressed and Willpower. Lovelines is an entertaining trip through the personals ads with lyrics pulled directly from actual ads.

Favorite track: Within Your Reach

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6) Speaking In Tongues – Talking Heads It took five albums, but the artsy fartsy punk band from New York finally got a Top 10 single with the opening track – Burning Down The House. The band was on its way to becoming stars in the rock world, but they are not the superstars to which I was referring.

Favorite track: This Must Be The Place (Naive Melody)

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5) War – U2 This is the band I meant when I mentioned rock superstars. They hadn’t gotten there as of 1983. It would take a another four years and the release of The Joshua Tree to make these Irish rockers kings of the world of rock and pop. However, this album was awfully damn successful, selling 11 million copies worldwide. Sunday Bloody Sunday, Seconds, Two Hearts Beat As One, and Surrender are all great tracks.

Favorite track: New Year’s Day

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4) Metal Circus – Husker Du Main rivals of The Replacements, these hardcore punks out of St. Paul were rising fast in the indie/college rock scene. It’s been said Husker Du practically invented alternative music. Technically an EP, Metal Circus had the band transitioning from the speed/thrash hardcore of their earlier efforts to the more melodic alternative sound of their next two albums – Zen Arcade and New Day Rising.

Favorite track: First Of The Last Calls

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3) Mummer – XTC The first album recorded by this band from Swindon, England after they had confined themselves to the studio due to Andy Partridge’s live performance ending stage fright. No longer concerned about playing the songs live opened new avenues and textures for the band to explore. Drummer Terry Chambers would leave the band before the recording of Mummer was complete, because he preferred to be in a band that would play live. Their music continued moving away from the early quirkiness and then more rocking sound to a more acoustic and pastoral sound, the one exception being the last track – Funk Pop A Roll. Notable songs include Wonderland, Great Fire, and In Loving Memory Of A Name.

Favorite track: Love On A Farmboy’s Wages

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2) Murmur – REM REM could be considered to have reached that same rock superstardom as was achieved by U2. Maybe not quite as super, but they got close. Along with Husker Du, REM was instrumental in setting the foundation of what would come to be known as alternative rock. And Murmur is a landmark album. Indistinct vocals by Michael Stipe were surrounded by the driving, jangly guitar sound of Peter Buck throughout this collection of catchy college radio pop featuring such terrific songs as Catapult, Moral Kiosk, Laughing, and Pilgrimage.

Favorite track: Radio Free Europe

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1) Soul Mining – The The As this debut album was made, Matt Johnson was essentially the only member of the band. He did have several musicians lend a hand, but there was no official band. From the opening track – I’ve Been Waitin’ For Tomorrow (All Of My Life) – to the final track (on the American vinly release) – Perfect – it’s nothing but fantastic songs. Sophisticated and danceable and totally pleasurable. Jools Holland of Squeeze sits in to play my most favoritest piano solo on my favorite track. It’s killer!

Favorite track: Uncertain Smile

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An Unexpected Rabbit Hole

In January, the world was saddened by the news that Mary Tyler Moore had died. Lots of us had grown up watching her on TV, first as Laura Petrie on the Dick Van Dyke Show (1961-1966) and then as Mary Richards on the Mary Tyler Moore Show (1970-1977). And over the years she further impressed us with her many acting roles in television and in film. Most memorable for me was her performance as the cold and controlling, yet deeply wounded, mother and wife in Robert Redford’s Ordinary People (1980).

Her death has generated numerous tributes to her as a person and to her life and her work. And that’s what led me to a rabbit hole that took me on a rather interesting and, at times, frustrating journey of discovery. Not the discovery of my inning self and my emotions. I don’t have any of those.

No, it was a journey to discover just what is that line in the lyrics of Love Is All Around, the theme to the Mary Tyler Moore Show?!

For all these years, I had thought the lyrics to the chorus were:

“Love is all around, no need to waste it.
You can have this town, why don’t you take it?
You’re gonna make it after all.”

But last Friday morning, in the Bulletin Board (an online forum in which regular folks can tell stories, jokes, make observations, share pictures,etc) a contributor noted that a recent Nancy comic strip’s tribute to Mary had quoted, according this fellow, the lyrics wrong.

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The incorrect line was: “You can have a town, why don’t you take it?”

According to this Bulletin Boarder, the actual line is: “You can never tell, why don’t you take it?”

The person rather snarkily noted that people whose hearing was intact back then, and even now, could be certain it was “never tell,” not some line about having a (or in my case, this) town. In fact, the person noted, “I wish I’d kept track of how many tributes I’ve seen with the misheard version.”

Nearly 47 years and now this revelation? I was stunned!

However, I’m a skeptic, so I thought I better do some digging to see if I could verify this “never tell” claim. Thus began the journey of discovery.

You should be aware of a phenomenon known as priming. Priming can happen when a person is told what they should be able to hear when they listen to poor quality audio or even audio played backwards. Once you are told what to hear, it’s rather difficult, maybe even impossible, to not hear it. That’s priming.

And I found out that knowing about priming doesn’t protect you from falling victim to it.

In my search to determine the true lyrics, my first step was to look up the lyrics online. I found conflicting information. A couple websites had the “never tell” line, while others had versions of the “town” line. Hmm. However, one of the websites with the “never tell” line was the Boston Globe. They are a well-respected news source, so I started thinking I had been wrong about the “town” line. Or was I being primed?

Next I found several versions of the song on YouTube. The song was written and recorded by Sonny Curtis (not Paul Williams as some people have thought), who was a member of Buddy Holly’s Crickets and had been previously best known for writing the Bobby Fuller Four hit – I Fought The Law. Several of the versions I found were recorded by Curtis. There were two versions for the show: One for the first season and one for the rest of the series with some changed lyrics, but both versions retained the “never tell/town” line. Curtis also recorded two additional versions, which he released as singles, one in 1970 and the other in 1980. They still had the same lyrics to the disputed line, even though the instrumentation of the songs was different.

There are also several cover versions of the song. Sammy Davis Jr, Joan Jett, and, 80s punk band from St. Paul, Husker Du have all covered it. It’s not quite clear if it’s “never tell” or “town” on Sammy’s and Joan’s versions, but Husker Du clearly say “town.” In fact, they even sing it the way I’ve heard it as “this town” not “the town” or “a town.”

I was beginning to lean toward “never tell,” because I had put my faith in the Boston Globe‘s journalistic prowess, but I still wasn’t sure. It’s really hard to determine just what is the line.

Then it hit me! Sonny Curtis is still alive! At least according to Google. I found that he has a Facebook page and an official website. I couldn’t be certain he would get my messages, but I sent messages to both sources. I pleaded to him for an answer.

By the end of that Friday’s tumble down the rabbit hole, I received an email from the man himself. (Well, the email claimed it was him. I don’t want to go down another rabbit hole, so I’ll just accept that it was him.)

I’ll allow Mr Curtis to settle this once and for all.

“Hi Jim,

Thanks for your interest in the Mary Tyler Moore Theme.  Below with my compliments are the lyrics.

Mary Tyler Moore Theme
Words and Music by Sonny Curtis

Who can turn the world on with her smile
Who can take a nothing day and suddenly
make it all seem worthwhile

Well it’s you girl and you should know it
With each glance and every little movement
you show it

Chorus:

Love is all around no need to waste it
You can have the town why don’t you take it
You’re gonna make it after all

Published by Sony/ATV Music

Hope this is helpful.

All the best,
Sonny Curtis”

Very helpful! Thank you, Mr Curtis!

Oh! And, in your face! Mr Bulletin Boarder who thinks his hearing is so good!

Packing Peanuts!

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1985. A Great Year in (Mostly) Alternative Music

Last month, I looked at the year 1979 as it pertained to alternative music. The reason was that I noticed that 1979 saw a lot of really good alternative music albums being released.

The inspiration for this blog came about because I periodically guest blog on the Stuck in the 80s blog. My main contributions to that blog is to profile musical artists of the alternative scene in the 80s. These artists did not chart on the Top 40 Pop charts in America. A wider audience was, for some reason, denied them, so I dubbed them to be Never Found in the 80s. And I was looking at my list of artists that I have yet to write about. I realized the songs I picked to post with the write ups were very often from 1985. So, I thought, “Why not do my Top Ten of alternative albums for the year 1985?” I couldn’t think of a reason not to, so here it is…

(Oh, one of the albums isn’t exactly alternative, but I like it, so what are ya gonna do?)

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10) The Wishing Chair – 10,000 Maniacs  I was reading an interview of REM‘s Michael Stipe in those mid-80s days and in it he was asked if there was anything interesting he was listening to at that time. One of the bands he mentioned was 10,000 Maniacs. And just on that recommendation I picked up this their debut album and I discovered an excellent folksy rock album with the terrific lead vocals of Natalie Merchant.

Favorite track: Scorpio Rising

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9) Meat Is Murder – The Smiths  Aside from the unlistenable, preachy, veganny title track, this is a solid album by the quintessential 80s alt band. The American release included the awesome How Soon Is Now? making it damn near perfect, except for that “cows are beautiful, so eating them is murder” track. Eh, I’m a meat eater, perhaps I’m wrong and Morrissey is right.

Favorite track: What She Said

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8) Our Favourite Shop – The Style Council  This is former front man of UK’s The Jam Paul Weller and Mick Talbot’s second full length album as The Style Council and it is my favorite. Heavily socialist in its message, it was the band’s most successful release, earning gold record status in the UK. (I sure hope they didn’t feel guilty about all the money it earned.) In the states, this album was released with different cover art and song order and was called Internationalists.

Favorite track: Boy Who Cried Wolf

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7) The Head on the Door – The Cure  This was the sixth album by these moody Goth rockers and it has some awfully cool songs. I love the great thumping bass open of the song Screw. This was also The Cure’s first album to crack the US Top 100 Album chart. It reached 59. Even greater charting success was yet to come.

Favorite track: In Between Days

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6) Night Time – Killing Joke  So far this list has been pretty sensitive and, perhaps, a bit on the navel gazing side, but that changes with this album by UK post punkers Killing Joke. Intense is a good word to describe this band, especially front man Jaz Coleman. The album is an ass kicker.

Favorite track: Eighties

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5) Fables of the Reconstruction – REM  This was REM’s third full length album and it was becoming clear that these guys might get some traction on the charts. Stipe’s vocals were also becoming clearer. He was muttering and mumbling less on this album than on their previous efforts. And there was the welcome addition of horns. Horns almost always boost a song to greatness.

Favorite track: Can’t Get There From Here

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4) New Day Rising – Husker Du  Hardcore punk with harmonies and a do it yourself attitude pretty much describes this band out of St. Paul, MN. Released just six months after their magnum opus Zen Arcade, New Day Rising continued their buzzing feedback screech with tight catchy melodies that had some people taking notice. And if this wasn’t enough material for fans, the boys would release Flip Your Wig in a mere eight months.

Favorite track: Celebrated Summer

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3) Tim – The Replacements  Critics’ darlings from Minneapolis were on the verge of breaking it big (but the band themselves made sure that didn’t happen) with this their first release on a major label. It is a more cleanly produced (by the late Tommy Erdeyli, formerly Tommy Ramone original member of The Ramones) than their previous records and, perhaps, less appealing to their hardcore fans. But, I think it is a fine album, which contains one of Paul Westerberg’s best songs (see my favorite track).

Favorite track: Here Comes A Regular

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2) White City: A Novel – Pete Townshend  Yeah, this is the one I warned you about. It’s not quite an alternative album, but I really like it and Townshend is my all time favorite songwriter, so on the list it goes. It has all that Townshend pretentious goodness (the album is being called a novel?) and some great songs. Not his best solo album, but pretty damn close!

Favorite track: Give Blood

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1) Suzanne Vega – Suzanna Vega  I don’t know what it is about this album, but it is one of my very most favorite albums of all time. OK, this may also not be what people think of when they think of alternative music, but its folksy simplicity and directness certainly set it apart from everything else in 1985. This album must have come to my attention at the right time of my life that it has come to be so important to me. Vega continued to create great music, but nothing ever came up to this one’s level. At least, in my eyes. I just love this album.

Favorite track: Marlene on the Wall

Packing Peanuts!

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The Punk PBS forgot…

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Earlier this week, I posted to Nostalgia Zone’s Facebook page the six segments of the Punk Rock episode of the 1995 PBS documentary ‘Rock & Roll‘. The documentary series runs 10 episodes in all, covering the many eras and personalities of rock’ n’ roll. I figured I’d post the punk stuff, because that’s the most interesting to me.

But, there was something that bothered me (and at least one YouTube commenter). It was only an hour long episode, so we can’t expect everything to be included, but as the Punk segment came to a close something was missing. The ’80s. The way the episode wrapped up was Blondie had a hit with ‘Heart of Glass’ and then… Nirvana came along.

Uuuuh, guys? There was an entire decade of punk, post-punk, hardcore punk that carried the ball, while mainstream radio waited to stumble upon Nirvana, discovering money could be made now that punk “broke.” There could have at least been some mention of those artists, but, nope. No mention of the Dead Kennedys, Killing Joke, The Minutemen, Black Flag, The Replacements, and the countless other bands keeping the punk ethic alive through the decade between ‘Heart of Glass’ and ‘Smells Like Teen Spirit’.

I went through my teenage and young adult years in the ’80s. I hung out at the legendary Minneapolis nightclub First Avenue & 7th Street Entry. (Remember, kids! Before there was Seattle, there was Minneapolis!) I listened to and saw a lot of musical acts, who, apparently didn’t warrant being counted by ‘Rock & Roll’.

OK, so they didn’t have the time. Well, I do. Here’s a list of ten artists, not in any particular order, any one of whom could at least gotten a mention:

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The Descendents https://www.youtube.com/playlist?list=PLB2OvO0jddW4rlkMRy_XHl-PnYIvy9yVy

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Husker Du https://www.youtube.com/playlist?list=PLB2OvO0jddW4rlkMRy_XHl-PnYIvy9yVy

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Dead Kennedys https://www.youtube.com/watch?v=U3VXiyS6zl0

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Black Flag https://www.youtube.com/watch?v=om6ho37eSYE

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The Replacements https://www.youtube.com/watch?v=q2zkO-pB0LU

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Bad Brains https://www.youtube.com/watch?v=1EcNclDR9U0

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Naked Raygun https://www.youtube.com/playlist?list=PLKPRnEKPhTy5wWogy5c_cKzwLiuEewh_p

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Gang of Four https://www.youtube.com/watch?v=8xzE9dslFqg

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Wire https://www.youtube.com/playlist?list=PL74iy6KlUOFtmKajhM9i8Mcsoo1DKN0xL

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Big Black https://www.youtube.com/watch?v=4afGWPi3th4

You may not agree with each of my choices. But, I think you’ll agree that these and many other artists upheld the punk ethos into and through the ’80s, as the recording industry waited for Nirvana.

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