Those of my readers who suffer from trypophobia, fear of holes, will want to skip this week’s blog. It’s OK. I understand that this month’s great comic book cover, Harvey Comics’ Little Dot #160 (August, 1975), might be difficult to look at. You are excused. The rest of you – read on!
There’s not a lot of information I can give about this cover. I can say I think it’s a great example of Pop Art, but I don’t know who illustrated it. I can say the person who inked it is obviously one of those old hands at using the brush. Those artists with that kind of inking skill always impress me. So precise and so flowing. It looks simple, but the skill level has to be way up there.
Look at how simply Little Dot’s mouth is done. And her hands. I’m certain the artist also worked quickly. He or she cranked this whole cover out in the time it would take me to ink a few of the dots on the page. Very few. Dang, those artists were good.
Harvey titles were never anything I was interested in. I always thought it was kids’ stuff. Not like the sophisticated super men and women in tights fighting the bad guys comics I was collecting. I never cared about Richie Rich, Little Dot, Little Lotta, Hot Stuff, Spooky, or dead Richie Rich. What was he called? Oh, right. Casper. But I do appreciate the skills of Harvey’s artists. They had to work fast, that’s just how comic books had to be made, and, at Harvey, the artists had to conform to a certain look. That may have changed in more recent years, but back in the day when different artists worked on Little Dot, Little Dot still had to look exactly like Little Dot. No variation! It’s not easy shedding one’s own personal style. At Marvel or DC, the artists could express their own style. At Harvey, they had to follow the template. Those were the rules.
Harvey also didn’t do much to identify their artists. So many worked in anonymity. That’s a shame, because I’d really like to give credit to the artist who created this great cover.
Update: I’ve been informed that it is likely that the artist for the cover is Warren Kremer. He worked for Harvey for many, many years. So, excellent work, Mr. Kremer!
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