Tag Archives: Halloween II

Why I Pretend None Of The Halloween Sequels Exist

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It’s October, the best month of the year. The heat and humidity of summer have given way to the cool, crispness of autumn. The leaves are ablaze with color. (I feel pity for those who don’t get to experience autumn.) My wife and I were married in October. I saw The Who for the first time in October. The baseball post season is in October. And the month is capped off by the greatest holiday of all. Excluding Father’s Day, of course.

The month tends to find me watching horror films. I’m partial to the classic Universal monster movies of old, but there are plenty of more modern horror flicks that I enjoy very much. The Legend of Boggy Creek (1972) has been discussed in this blog. As have The Legend of Hell House (1973) and The Changling (1980). It’s time I look at another modern horror classic: Halloween (1978).

Oh! It should be said there will be spoilers. But, relax. The movie and its first sequel are damn near 40 years old. If you haven’t seen them by now…

John Carpenter co-wrote, scored and directed this landmark horror film. It had a low budget and a cast of unknowns, with the exception of the over-dramatic Donald Pleasence as the villain’s doctor. The movie was almost universally praised by critics and loved by audiences. Roger Ebert compared it to Alfred Hitchcock’s Psycho (1960) and lauded it for not following the horror trope of the female lead being the helpless damsel in distress. Jamie Lee Curtis’s Laurie was smart and level-headed and, when forced to fight, she didn’t freeze up or faint. She fought back with whatever she had at hand, be it a knitting needle, a dropped knife, or wire hangers. (Christina Crawford would be out of luck if her famous mother had her way.)

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Michael Myers, the relentlessly stalking villain, dressed in dark overalls and a pasty, white mask of William Shatner/Captain Kirk, whose first kill at the tender age of six was his promiscuous teen-aged sister, fixated on Laurie. He killed three of her friends, who were overly preoccupied with sex (teenagers!), as he slowly worked his way to attempt to kill Laurie.

I’m not sure why Michael was compelled to kill her. Laurie wasn’t all about having the sex, she wasn’t doing any drinking, and she wasn’t much of a pot-smoker. She was considered pretty square by her friends. These slasher/horror films liked to kill the non-square kids, to punish them for daring to have sex. Maybe Laurie just looked like Michael’s sister. Since he was pure evil, as Pleasence’s character repeatedly said, I guess Michael didn’t need a reason.

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The film unfolds slowly, but keeps the audience’s suspense high by showing tantalizing glimpses of Michael stalking Laurie. She would spot him, but he would slip away instantly. Did she really see a man standing there? Was she imagining it?

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The film reaches its exciting climax with Michael’s doctor shooting Laurie’s homicidal stalker six times in the chest, sending the monster over the side of the second story balcony. The killer lay still on the grass as the doctor tended to Laurie. It was over. Or was it?

The final shot is brilliant. Michael Myers was no longer there on the front lawn, despite having been stabbed in the neck and the face and shot six times. He had vanished.

Shudder!

It’s a terrific horror movie with a tremendously effective score. That music instantly sends chills down your spine and turns your skin to goose flesh. It also has some very striking visuals. I particularly like the shot of Michael standing on the porch across the street from the house where Laurie was babysitting. The boy she was tending to saw him, but when Laurie investigated, she saw no one. A neat turnaround from earlier in the film when she was the only one seeing this menacing figure.

Such a great horror film, with an ending that told us the evil of Michael was still lurking.

I would have left it that way. Any additional films would risk lessening this origin’s impact.

But Hollywood had to go and spoil it all by giving us a sequel. Several of them, but this blog is focusing on the original and the first sequel.

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The sequel, which takes place immediately after the events of the original (admittedly a nice touch), was co-produced and co-written by John Carpenter. He also provided music for the score, but he didn’t direct the 1981 film simply titled Halloween II. It wasn’t terrible, however it just paled in comparison to the original. There were a few effective moments. The hot tub killings of the promiscuous nurse and her creepy, sex-obsessed EMT boyfriend comes to mind and not just because of the naked breasts. (Although, they didn’t hurt.)

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Donald Pleasence and Jamie Lee Curtis returned. Pleasence was even more over-dramatic than in the first film, which, don’t get me wrong, I really like his performance in both films. Curtis, on the other hand, was way under-used. She had very little screen-time and even less dialogue. (Her availability was limited while she working on another film.) And, sadly, she became that damsel in distress who spent much of the final attack running and hiding from Michael. Well, she did finally shoot Michael (called “The Shape” in the credits, don’t ask me why) in his eyes, blinding him.

She’s one hell of a shot! She was on medication, she had multiple injuries from her battle with “The Shape” in the first movie, yet she was able to score two direct hits to his eyes. And she didn’t damage the mask in doing so. Amazing!

The worst aspect of this sequel was that a motive was given for Michael’s unstoppable need to kill Laurie. You see, Laurie was Michael’s younger sister! What? Why? WHY?!

We are told she was two years old when Michael killed his other sister. And she was adopted out when their parents died two years after Michael’s crime and institutionalization. The records were sealed, yet somehow Michael knew who Laurie was. Well, he was evil incarnate, so I guess he would know. Being evil incarnate does has its perks.

Eventually, Michael was destroyed. Blown up and burned from existence. There would be no returning now. Right? Of course, there would be. In fact, there were seven Halloween sequels and one remake with a sequel of its own. However, Halloween III does not feature Michael Myers at all.

I haven’t seen any of the Halloween films after Halloween II. Until the other night, I had only seen that sequel once and that was when in was originally released. I really wish I hadn’t watched it again. The original, which I’ve seen many times over the years, is so good just as it is. To me there is no reason to make any more. I like the way the original ends. Don’t mess with it.

So, I’m going to do my best to forget there are any sequels at all.

Happy Halloween!

Packing Peanuts!

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