Tag Archives: Captain America

A Great American Comic Book Cover

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It’s a great Captain America cover despite it showing the patriotic hero having been defeated. He may be down for the moment, but we know he’ll triumph in the end. He always does. Or did in those days, anyway.

This is the first great cover installment featuring Marie Severin as the artist. There weren’t many women working as comic book artists back then. Marie was a pioneer. And she was great. She drew, she inked, and she would color the pages of some of Marvel’s greatest characters. For this May, 1970 issue of Captain America (#125) she provided the pencils and color, while it was Frank Giacoia who inked it.

There is a hint of Gene Colan’s style in this cover and that may be intentional, because Gene is the artist for the pages within. Marie may have been trying to mimic his style. However, I’ve always been more of a fan of Marie’s drawing style than Gene’s. His work was good. Very cinematic. But there was something about how he drew people. Hard to explain.

Marie’s high achievements on this cover are two fold. First, as the penciler, she has drawn such a natural-looking pose of defeat. Cap is unconscious and limp, yet we can still he is a powerful man. She quite literally used the “S”-curve design for her drawing of our defeated hero. The face of the unconscious First Avenger is very nicely done, as well.

Second is her use of color.

(Allow me to sidetrack a bit here. There really is something about the way the comics from my day were colored that make them so much more appealing to me. It’s probably because that’s the way it was done when I first learned to appreciate comic books and so it’s more familiar to me. I like the old way of laying out pages, too. The way comic books look now is fine and a lot of the stuff is great, but I guess I just prefer the old ways.)

Marie’s use of color and heavy black on this cover are terrific at suggesting defeat and dread. Cap has been captured and is being held captive in a cold and dank castle. The blue of his uniform even seems darker with that hint of purple. The use of grey to shade his face instead of flat black is also a nice touch.

Captain America, as drawn by Marie Severin, still looks great even in defeat.

Packing Peanuts!

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Images used under Fair Use.

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This Month’s Great Cover Is By The King!

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I love a good battle cover. The kind of cover that shows the hero or heroes in pitched battle against some unbeatable foe. Unbeatable by anyone other than our hero, I mean. This admiration of a good battle cover is something a great deal of comic book collectors share. A good battle is the essence of an exciting super-powered comic story, so give the readers a battle cover to let us know what we’re in for.

This month’s installment (Captain America #106 – October 1968) is a terrific battle cover. Drawn by the King himself, Jack Kirby, it shows Captain America going toe-to-toe with an android version of Steve Rogers, Cap’s secret identity. Why would there have been an android version of Steve Rogers? I don’t know. I haven’t read the comic book. That’s not important.

What is important is how really great this cover is. The action just jumps off the page. Kirby was the master at that. There’s Cap’s fist sticking right out at us as our hero prepares a dynamic punch. And that pole thing – is it the boom of a boom mic? – wielded by the android is also right there in our faces.

I think it might be a boom mic because it looks as though the two combatants are fighting in a TV studio or maybe on a movie set. See the spotlights in the background? Is it a studio of some kind, in which they fight? I don’t know. I haven’t read the comic book. That’s not important.

What is important is the cover is well composed and very dramatic. It captures the eye with action and promises more exciting action on the pages inside. And it says so right there, “Cap Goes Wild!”

Bravo, Mr Kirby! Bravo!

Packing Peanuts!

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Captain America Is Back! And On a Great Cover!

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I find if hard to believe I haven’t declared a Marvel Comics‘ cover great in five months. What’s wrong with me? I might be in danger of losing my MMMS membership. Well, let’s see if I can’t rectify that and also pay tribute to the greatest country on earth: Cuba. No! Um. I mean America. Right. That’s what I mean.

During World War II, superhero comic books were very popular. Those heroes were enlisted to fight Hitler and his Nazis and the Imperialist Japanese forces. They were also part of the propaganda effort to keep America’s fighting spirit and morale high. And among all those other heroes, Captain America was right there on the front lines, fighting to free the world from tyranny. In fact, the good Captain was created to fight the Axis powers as part of his origin story.

When the war came to an end, sales of superhero comics dropped off significantly. With the exception of DC Comics‘ superheroes – Superman, Batman, Wonder Woman, and the like – virtually all the other characters of that genre disappeared, including good ol’ Cap himself. Comic book companies moved on to other genres, such as Westerns, Romance, Crime, Horror, and Science Fiction.

In 1961, a young writer named Stan Lee changed all that and brought back the superhero genre with a vengeance. Frustrated with the business, he decided he was going to quit, so in a last ditch nothing to lose moment, he created and published the first installment of The Fantastic Four. The world of comic books was changed forever.

Next thing he knew, along with artists Steve Ditko and Jack Kirby, Stan Lee was creating a whole collection of unique and exciting superheroes. In 1963, it was time for anotherĀ  superhero group, so Lee and Kirby brought together the newly minted characters Thor, Iron Man, Ant-Man, Wasp, and the Hulk to form the supergroup The Avengers.

In those early days, the Avengers tended to be fighting among themselves nearly as often as they fought the bad guys. They needed a dynamic leader. A character that was created to take charge and lead his team into battle. Someone with the rank…say…of captain. So, with the publication of Avengers number 4 (March, 1964), Marvel brought back Captain America.

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According to the story, Captain America hadn’t been seen since the end of World War II. The world assumed he was dead. But then, Namor the Sub-Mariner attacked and threw into the ocean the frozen idol that had been worshiped by the native people living far north of the Arctic Circle. The sea water melted the ice containing the frozen idol, and who did they find inside? Why, it was Captain America! The Avengers rescued the captain and he joined the group.

Classic stuff!

But enough with the background story, let’s look at the cover.

This is only the second cover by the great Jack Kirby that I have featured in this series, the first was the cover of the aforementioned Fantastic Four’s premiere issue. And, I think this cover is better than the one Kirby did for that groundbreaking comic book.

This cover is all about the action and letting the world know that America’s super-soldier was back. And there he is right in front. His placement serves two purposes: First, the obvious one of the reintroduction of a popular character who hasn’t been seen in comic books since 1954. Second, the placement is an indication that the group has a new leader. True, he didn’t assume the mantle immediately, but it didn’t take long.

Kirby utilizes the “Dutch angle” effect to heighten the action and movement of the group. They are moving fast and ready to fight. You better watch out, bad guys! The Avengers have a new member, who definitely ain’t some greenhorn rookie. Oh, no! This is Captain America and he was taking out bad guys before you were born! Well, except for you, Baron Zemo and Red Skull. You were the bad guys he was fighting. But the other Avengers either weren’t born yet or they were in diapers! Except Thor of course…

Anyway, I digress.

Kirby’s anatomy drawing wasn’t great, but that was never his strength. His strength was drawing dynamic and exciting scenes. And this cover delivers.

Eyes front, world! Captain America is back!

Packing Peanuts!

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