Guest blogger Michael Noble returns with his take on nostalgia during this pandemic.
You may not realize it but right now, right this very moment, you’re living an interesting, nostalgic life.
Let me explain…
The current coronavirus pandemic (and, yes folks, it’s still an on-going pandemic) has changed things. It’s changed the world.
It’s changed the way we live, the way we interact with each other, the way we do business. It’s influenced our social habits (sometimes for the good, in others not so much), it’s altered the way we greet people, it’s forced us to consider our personal actions and choices.
In many ways, the coronavirus pandemic has opened up a floodgate of considerations we probably haven’t thought of in quite some time… if at all.
But here’s the thing: Life is different. And much of it radically so. Whether we choose to acknowledge it or not.
In so doing, many of the commonplace things we’ve taken for granted just a few months ago have gone by the wayside. At least in the interim. Some? We might never get back.
Let’s take that rite of passage that is high school graduation, for example. There are a lot of people out there bemoaning the fact graduation ceremonies have been curtailed. No more packed stadiums and football fields and auditoriums filled with giddy family members and friends cheering the recipients when they take the stage and are handed their diplomas.
But… that’s the nostalgic part of it. Those kids (especially), the parents of those kids, the friends and family and acquaintances of those kids… all of them are going to look back on this moment in time with a certain sense of nostalgia. The manner in which it’s looked upon will determine the attitude one takes to it.
I’m certain many are pained or angry or otherwise depressed about the fact the annual ceremonies have been kicked to the curb because of the pandemic.
That’s the thing, though. Look at it this way:
No other class of students has EVER had a graduation so radically squashed as those of the class of 2020. [The class of 2021 fidgets nervously.] You can whine about it all you want but the cool thing – for me at any rate – is the fact no one has experienced anything quite this profound.
Think about it: Isn’t this cause for a really different form of nostalgia down the line? In a way, it’s not only unique but will yield a bevy of memories going forward.
And it’s not just graduations. The Boston Marathon nixed. State fairs put on hold. Concerts quashed. Events and social gatherings and awards ceremonies and more that come about every year like clockwork, stymied until further notice.
Yes… it’s inconvenient. Yes, it takes away the very nature of our expectations. Yes, it’s not fair.
But it’s going to produce a wave of nostalgia filled with moments of incredulity the likes of which we haven’t seen previously.
This is our own little Nostalgia Zone we’re living right now…
Thanks, Michael!You can read more by Michael Noble at Hotchka.com.
And, please, wash your hands, wear a mask, social distance, stay home. Stay safe!
You could say I’m a bit of a worrier. And you could say I’ve been a bit of a worrier since I was a child. And you would be right. It’s something I do. I’m good at it.
I have gotten much better at not allowing my worrying to keep me from sleeping. (Most of the time.) When I was a kid, though, I could get to worrying about something and that could make falling asleep difficult. I mostly worried about going back to school after summer vacation, winter or spring break, long weekends. I don’t remember why I would be worried, I just was.
Those occasions of sleeping difficulties would mainly happen on Sunday nights. And if I was feeling as though sleep wouldn’t come, I dreaded a certain sound. And that sound was the closing music of the landmark British World War II television documentary series The World At War (1973-1974).
It was sometime in the mid-1970s that The World At War begin airing on American television and my mother would watch it each Sunday night. It would come on at 11:00 and end at midnight. If I was still awake as the show ended, it would be a difficult night. And I won’t even mention how troubling it would get if I heard the closing theme of The Honeymooners, the show that would follow.
All that is in the past.
Today, I own the DVD set. It contains the entire 26 episodes of the series and a boatload of extras. There are 11 discs in all.
The World At War wasn’t the first TV documentary of the war. There were others before it. On American television, there was NBC’s Victory At Sea (1952-1953). That series also had 26 episodes, however these were half hour shows. And Victory was made closer to the actual events and that may be why it feels much more rah-rah than The World At War.
Victory has no interviews. It consists of archival footage and narration, and a very heroic, flag-waving musical score by Richard Rodgers. The music gets tiring and the series has the feel of pro-America propaganda. It also seems to glamorize war. Not overly so, but the rah-rah quality, the hooray for the Allies (which, yes, hooray for the Allies) attitude makes the series feel like a naval recruitment pitch. No wonder the US Navy was so willing to give full cooperation.
The World At War, other the other hand, is careful to make war look like what it is – ugly. War is horrifying. It’s destruction and devastation. It’s insane. War is hell (you can quote me on that). And The World At War makes that abundantly clear as it chronicles the power-hungry fascist dictators wreaking havoc in Europe, Northern Africa, China, and the Pacific.
The musical score for The World At War was composed by Carl Davis. It’s brilliant. It gives the series the proper seriousness that subject requires, while not glamorizing war in any way.
Also, brilliant is the narration provided by acting legend Sir Laurence Olivier. His narration sets the tone for the series in the cold open of episode one – A New Germany:
“Down this road, on a summer day in 1944, the soldiers came. Nobody lives here now. They stayed only a few hours. When they had gone, the community, which have lived for a thousand years, was dead.”
That’s heavy. Olivier strikes the perfect note of solemnity. This series is not going to be rah-rah.
Like Victory At Sea, there is lots of archival footage. But, unlike Victory, the World At War has lots of interviews of the people involved. From citizens to journalists to soldiers, sailors, and airmen to generals, admirals, and world leaders. From both sides of the war.
The input of people who were there may be 30 years after the fact (and memory isn’t video tape), but it is tremendously powerful. Quite often we are shown archival footage of the younger versions of those being interviewed. We get to hear from military leaders to get their insights on the decision making and strategies. And there is only one historian, Stephen Ambrose, who is interviewed late in the series.
The most intriguing contributors, for me, are the Germans. We hear from ordinary citizens about how Germany was caught up in a kind of hysteria as Hitler provided victory after victory early in the war. And then how terrifying it was to live under that regime. The series interviews the highest ranking Nazi who was still alive and had served his time in prison: Albert Speer. They even interviewed Hitler’s secretary Traudl Junge, who worked for the Nazi dictator in those last days in the bunker and took down his final statement. Fascinating!
If you haven’t watched this series, seek it out. Some of the episodes are on YouTube. You’ll find the first one here.
Nowadays, when I watch the series, I usually watch it at about the same time of night my mother used to watch it. And, ironically, I’m so familiar with the series I tend to doze off until the closing theme plays. Then I wake up and go to bed.
Feel free to comment and share.
Images used under Fair Use.
Warehouse Find is the official blog of NostalgiaZone.com, where you can find books, games, toys, cards, and a huge selection of Golden, Silver, Bronze, and Modern Age comic books. Jim also has a podcast called Dimland Radio. He’d love it if you checked it out. It’s available on iTunes.
Time once again for me to recommend a few podcasts that look back nostalgically. Well, they look back at past events, anyway. And I’m going to throw in a shameless self-promotion. (Hint: I do a podcast.)
Some of these suggested podcasts might get a little explicit in their language, so keep that in mind. However, this list is mostly swear-free. (Hint: Mine isn’t.)
Click on the titles to link to the podcasts.
Stuck In The 80s For the better part of the last thirteen years, Steve Spears has been the host of this podcast that fondly recalls the 1980s decade. Music, movies, trends, books, even television get talked about on this fun and relaxed and friendly show. The listener feels completely welcome in expressing their love of all things ’80s.
There have been a number of co-hosts over the years, including yours truly for a guest co-host appearance or two or three, but Spearsy (as his friends call him) has been the one constant. For the past five years, Spearsy’s co-host has been Brad Williams. Brad started out as just a fan, but eventually became co-host replacing the very boisterous Sean Daly. Brad brought a different vibe to the show that meshed very well with the original host. Plus there’s a certain Jen with one N who brings a woman’s perspective to the show as she guest co-hosts more and more frequently.
They love the ’80s. If you love the ’80s, check out this podcast.
Hit Parade It was Jen with one N who mentioned this podcast on SIT80s. It sounded interesting so I checked it out.
It’s a music podcast that comes out once a month. Each month, host Chris Molanphy does a deep dive on a topic from pop music history. The show is very well produced and researched and it is fascinating. In fact, the show is so good and the host is so engaging he made Bon Jovi interesting.
I hate Bon Jovi! So does the host, which is a testament to how good this podcast is.
The Dana Gould Hour Dana Gould is damn funny and his monthly podcast, never less than two and a half hours, is funny, informative, and so very entertaining. He and his guests will talk politics, the entertainment industry, and comedy in general. There’s a semi-regular segment called Political Talk with Two Guys from Boston in which Gould and actor John Ennis improvise as two Bostonian working class dudes talking about whatever, not necessarily politics though.
The middle section of each show has Gould giving a talk on the history of something usually related to entertainment. Those stories include Roy Orbison’s triumphant and tragic life, the awesome schlocky genius of Robert Corman, and just how the hell that crazy film Beneath the Planets of the Apes got green-lit. Gould has the gift of telling these stories in such an engaging way. I love how he does it. Hell, I even listen to his ad reads, instead of fast forwarding the way I do with all the other podcasts to which I listen.
The Assault of the 2-Headed Space Mules It’s a mouthful title, ain’t it? This podcast is hosted by my friend Douglas Arthur. It’s an easy, relatively quiet podcast that explores various aspects of pop culture. He’s discussed the film Mad Monster Party, Saturday morning cartoon theme songs, Jonny Quest, novelty songs, Devo, and much more. He’ll even read a short story or two by H. P. Lovecraft on the show.
And he’ll bring in members of the G.O.O.C.H. (Gang of Occasional Co-Hosts, of which I am a member) Squad to have some fun blathering on about whatever strikes his fancy. We just gathered to do a show on… No, I don’t want to spoil it.
The show comes out irregularly. Douglas is a busy man, so it adheres to his schedule.
Dimland Radio Finally, my shameless self-promotion. I do a weekly podcast/internet radio show. I talk about sports, politics, science, skepticism, atheism/religion, and anything else that I find of interest. I’ll give movie recommendations and gripe about pop culture, just not necessarily at the same time.
I have segments that include the Dimland Radio Science Hero or Science Zero,It’s Not True (usually internet memes and urban legends people tend to believe, but aren’t true), Dimland Radio ARGH! (that’s something that really bugs me), Three Cool Things, and my most popular segment the Dimland Radio Pedantic Moment. People love those. I think.
And I’ll talk about The Who. I talk about them a lot. It’s kind of an obsession. I’m trying not to do it too much. Really. I am trying.
All of these podcasts are available on iTunes. So, check ’em out. (Please! Please! Please! Subscribe to Dimland Radio. You don’t even have to listen if you don’t want. You can just download and delete. Please?)
A year ago I recommended a few podcasts that have a nostalgic theme to them. (Click here to get that list.) Since new podcasts are always popping up, I thought I should list a few more as suggestions for your listening pleasure.
These are podcasts and the rules of terrestrial radio do not apply. These shows may have adult language and themes, so you should check them out first before sharing them with your kids or more sensitive folks.
The Dollop with Dave Anthony and Gareth Reynolds The hosts are comedians who dive deep into an historical topic and mine whatever comedy gold can be found. Dave is the “historian” who finds the topics and gives the information to Gareth, who doesn’t know what each show’s topic is until they start recording. The two will then riff to their hearts’ content. Some of the show are absolutely hilarious.
They get very bawdy as they work their way through each show’s topic. The Dollop has over 300 hundred episodes and I’ve just started listening to it, so I have a long way to go to catch up, but I find it very entertaining and informative.
My Favorite Murder Odds are pretty good that, if you’re familiar with podcasts at all, you’ve heard about this one. Hosts Karen Kilgariff and Georgia Hardstark are two comedians who discovered that they both really like murder stories. They decided to do a podcast discussing various real life murders. Their first show dropped in January, 2016 and the podcast has taken the world by storm. Combining their regular shows with their “minisodes” Karen and Georgia are closing in on 180 episodes.
It is a comedic show about murder, but the hosts are careful to respect the victims and the families and friends. They also try to give sound advice on preventing oneself from being a victim. It’s a very funny podcast with a big heart that reminds us to “stay sexy and don’t get murdered!”
Friendly Fire In my first podcast suggestions blog I recommended The Greatest Generation podcast. It’s a podcast about the television series Star Trek: The Next Generation. However, they have gone through all that classic sci-fi program’s episodes and they have since moved on to discussing Star Trek: Deep Space Nine. (I still recommend it!) Well, the hosts of The Greatest Generation, Adam Pranica and Benjamin Harrison, have teamed up with John Roderick to examine war movies.
Each week they examine a different war movie (and who doesn’t like war movies?) for its accuracy and cinematic value, and they manage to get some laughs along the way. Although, so far, most of their reviewed films have been WWII-based, they will cover other wars. They’ve talked about Saving Private Ryan, of course, but they’ve also reviewed Master & Commander: From The Far Side Of The World, First Blood (yes, they considered that a war movie), and they will be watching Braveheart for an upcoming installment.
Du You Remember? A Podcast About Husker Du And, finally, I’m recommending this podcast to anyone who is a fan of alternative music. It’s just five installments (with two extras, one a short introduction to the series, the other a tribute to drummer/singer/songwriter Grant Hart) and it is a fascinating look at one of alternative rock’s founding bands.
Husker Du came from St. Paul, MN in the late 70s and created their own tremendous presence in the 80s hardcore/punk/underground music scene. The podcast has interviews with all three members (Hart, Bob Mould, and Greg Norton) done just prior to Hart’s untimely death in September, 2017. The band members and others who worked with them or were fans and friends tell the story of the music scene in the 80s, how Husker Du was formed, how they embraced the “do it yourself” ethic, their rise and abrupt fall, and how very important they were to the music world. Without Husker Du, there would have been no Pixies, no Nirvana, no Green Day.
Writer’s note: Pulled from the archives of my personal blog at dimland.com, comes this story of my discovering my favorite band. Look. It’s been since July since I’ve written anything Who related. I was having withdrawal symptoms. OK? The following has been revised and updated, but the song remains the same. Song remains the same? That’s Led Zeppelin. We’re not talking about them.
This was a life changing concert for me. I know that sounds dramatic, but it is true. Seeing this show got me big into The Who and that led me to punk rock which led me to even more interesting and varied styles of music. In those days, I was listening to mostly crap. Journey, Styx, Foreigner, Boston, yuck! (Although, I must admit I have a soft spot for a lot of that crap today.) The Who changed that.
I wasn’t much of a Who fan at the time. I knew the band existed. I knew a few of their songs. (It turns out I knew quite a few, actually.) I knew Pete Townshend had some solo stuff out. I liked their new single Athena which was getting some radio play. At best, I thought they were OK and not much else.
I think I was aware the band would be in town that October weekend 35 years ago. I was even in downtown St. Paul the afternoon of the day of the first show of a two day stop in Minnesota. In fact, I had been right there by the St. Paul Civic Center where the concerts were going to be held. I had been downtown to pick up my comic books from a little comic shop that was less than a block away from where rock greatness would be experienced by fans that night and the next.
Of course, I had no plans to attend either of the concerts. I had only been to one concert before and hadn’t yet been bitten by any kind of music bug.
My bus stop was located directly in front of the Civic Center (now the site of the Xcel Center, home of the Minnesota Wild). I have a vague recollection of seeing The Who’s name listed on the marquee.
My bus arrived to take me home. I took my seat, not giving the world’s greatest rock band a second thought. A couple stops later and on hopped a young pothead and a few of his friends, also potheads. I knew that young pothead, he and I worked together back then.
He spotted me.
“Hey, man! Are you going to The Who concert tonight?”
“Uh, no. I’ll be reading my comic books when I get home.”
“Dude! Really?! Aw, man!”
When I got home, my mom had an urgent message from my friend John. I was to call him right away!
John had bought three tickets to that night’s show. He had no one to go with. Why he bought three John doesn’t even know. He was able to get a mutual friend on board, but he needed a third. Luckily, he didn’t find anyone else before I was able to call him back.
I made a quick call to work to let them know I might be a little late. I worked the graveyard shift on the weekends and it was always very slow the first hour or so of the shift. The boss said it would be no problem. After all, this was The Who’sNorth American Farewell Tour, I was willing to risk being a little late, because they would never tour again. Right?
It was on this tour that The Clash opened for The Who at Shea Stadium in New York City. We didn’t get The Clash. We got T-Bone Burnett. We had no idea who he was. He was kinda weird. He did a guitar solo consisting of him plucking one note at one part of the stage, then walking to another part of the stage to pluck another note. He did several notes that way. We weren’t really digging this guy and his band. John and I have talked about being disappointed that we didn’t get The Clash at our show. Burnett would go on to be better know as a record producer and for his work in film scores and soundtracks. At the time, though, it was, “Who is this guy?”
I did learn in doing research for this blog that it is very likely Mick Ronson was part of Burnett’s band. Ronson played guitar for David Bowie in the Ziggy Stardust era. So it turns out the headliners weren’t the only legends we saw that night. We just didn’t know it.
Speaking of legends, there was that headlining act: The greatest rock ‘n’ roll band in the world – The Who. This was supposed to be their last tour. Despite the band’s impending retirement, they did have a new album to promote. The album was It’s Hard. Not a perfect album. It’s no Quadrophenia or Who’s Next. And it lacks the maniacal spontaneity of the late Keith Moon on drums, but it’s not as bad as it is said to be.
The show was loud. Very loud! Possibly the loudest concert I have ever attended. At least, one of the loudest. It certainly was the loudest then, but it was also only the second concert I had been to. It was a sold out show packed with boisterous Who fans. I couldn’t help but get caught up in the euphoria of the event. I found myself cheering and whistling as loud as I could. And I was cheering for Pete Townshend in particular. I can’t explain (wink) why, but I felt a connection to Townshend form that night and it has never broken.
They played most of their biggest hits (all of which I knew – much to my surprise) and a few songs from their new album. They didn’t play Athena or any of Pete’s solo stuff. I had wondered if they might. They did close the with a cover of Twist & Shout, which most people remember as a Beatles song, but their version was a cover as well. Also, this tour had Roger Daltrey playing guitar on a few numbers, most notable was Eminence Front. He hadn’t played guitar with the band since before he took over as lead singer way back when they were called The Detours.
Their light show featured three sets of spotlights. One set on either side of the stage and one at the back of the main floor. Aimed straight up, each set of three spotlights would twirl around and open and close, casting bright white beams of light to the heavens… Well, the ceiling anyway.
Another fun feature of the show was the glow sticks that were sold to fans. People starting tossing the green glowing objects high over the crowd. They looked pretty cool as they sailed overhead. Then someone had the brilliant idea to take a lighter (a must fan item at concerts) and melt a hole in the plastic, then hurl the now leaking tube into the air. Cascading down were all these green glowing droplets. So fun!
The whole event was the talk of the school on Monday and my life had changed. I became obsessed with The Who and Pete Townshend. I bought all their albums and bought and read books about them and their history. I was all about The Who from then on.
And it all began on October 2, 1982, because a friend had an extra ticket.
“Who knows what evil lurks in the hearts of men? The Shadow knows.”
I knew that phrase before I ever heard a single episode of that very popular crime show from the Golden Age of radio. My dad liked to use the phrase and he would tell me of those old, old days when families would gather around the radio to listen to shows like The Jack Benny Program, The Lone Ranger, Gunsmoke, and The Shadow. People would sit transfixed looking at their radios as though they were television sets. Seems odd, but it does make sense if you think of the radio as a storyteller. Where else would you look? You don’t want to be rude, do you?
In the early 1970s, radio technology had advanced some due to the transistor. Radios could be smaller and more affordable. And they could be placed under you pillow, so you could listen as you went to sleep. Each Sunday night, after Casey Kasem signed off his American Top 40 countdown, the local station would play some old radio shows from that bygone era. Oh, how I dug listening to them, especially The Shadow.
Radio was theater of the mind and in your mind could be found the most spectacular special effects, effects that are just now being approached by the best FX departments of Hollywood. But, through radio (and books, I suppose) when cued by the dialog as to what is going on, each listener’s view in their mind’s eye would be unique to them. That’s something the visual medium is only able to do by not showing something to the audience.
Suspenseful moments were all the more suspenseful because you couldn’t see what was happening. It was the “less is more” concept and it couldn’t be any other way on radio. Jack Benny’s pauses were funnier, Fibber McGee’s closet had so much more junk in it than could ever be shown, and The Shadow’s laugh was so much creepier and more menacing simply because the visuals were all in our heads. In film, the viewer can be shown everything, but good filmmakers know that to build suspense or the feelings of dread and terror not seeing something can be much more effective.
That’s why The Shadow was so perfect for radio. Trained in the mystical arts of the Far East, Lamont Cranston had the ability to cloud men’s mind so that he could not be seen. He became a shadow whose sinister laugh would alert the bad guys of his presence. Like Batman (whose creators were greatly influenced by Cranston’s alter ego), the Shadow knew criminals to be a fearful and superstitious lot and his abilities made him an excellent crime fighter.
He was assisted by his “friend and companion” Margo Lane. She was the only other person to know Lamont’s secret identity. I have to wonder, since this was the late 1930s and Margo and Lamont were not married, were any of the more conservative listeners concerned about the nature of their relationship? I don’t recall there being any indication of romance between them. Hey! Men and women can work together without any hanky panky.
In 1935 the character of the Shadow started out as the voice that introduced the CBS radio program the Detective Story Hour, on which he would open each show saying, “Who knows what evil lurks in the hearts of men? The Shadow knows!” and then he’d laugh that terrifying laugh. Later, in 1937, CBS developed a crime drama with The Shadow as its lead character and it was a very young Orson Welles who provided the voice. Listening to Welles as Cranston and the Shadow it’s hard to believe he was only in his early 20s.
Those old radio shows were aired live and with very little rehearsal. Actors had to be able to act from the page after only gaining a very cursory view of the script before going to air. They didn’t have much to go on, but most shows went just fine. On one particular Shadow episode (Death From The Deep) there were a couple moments when Welles seems to step on his fellow actors’ lines, but he may have been going for dramatic effect.
There’s an entertaining conversation between Welles and Johnny Carson about the old days of live radio dramas and comedies. (You can check that out here.) In that conversation Carson mentions what a great medium for storytelling radio was and he’s so right. I suggest you go to YouTube and find and listen to a few of those old radio shows. Let your mind’s eye have a little fun.
“The weed of crime bears bitter fruit. Crime does not pay. The Shadows knows!”
You know, I’m no different than anybody else. I start each day and I end each night. (10 points if you get this reference.) And like most everybody else, I listen to podcasts. Comedy podcasts, science podcasts, podcasts on skepticism, podcasts about movies. I even do my own podcast (Dimland Radio – look for it on iTunes) that has a little of all those things and more.
Well, I thought I’d recommend a few of my favorite podcasts that are nostalgic in nature and content. Are you game?
Just One More Thing: A Podcast About Columbo Hosts Jon Morris and RJ White invite a guest to each show to help them examine an episode of the world’s favorite TV detective: Lt. Columbo. They give their impressions of each show, including the original episodes from the 1970s and the more recent ones from when the rumpled detective returned in 1989 and ran through 2003.
The show is funny and the hosts give plenty of production and background information of this classic murder mystery-solving program. They speculate about the existence of Mrs. Columbo (they’ve even done a review of an episode of the short-lived Mrs. Columbo series), they try to pin-point the moment Columbo catches onto who the murderer is, and they marvel at how the detective out-thinks his suspects as they constantly underestimate him.
RJ tends to excitedly blurt out interruptions of the others during the podcast, but it is part of his charm. The only other drawback I can think of is they actually likedLast Salute To The Commodore.
Gilbert Gottfried’s Amazing Colossal Podcast&Gilbert and Frank’s Colossal Obsessions Each show, comic genius Gilbert Gottfried is joined by Frank Santopadre as they alternate between the main show and the mini episodes. The main show features a guest, often with one foot in the grave, to talk about the old days of entertainment. The stories get very bawdy and we frequently hear of the strange sexual practices of celebrities of yore, as well as plenty of discussion of the size of Milton Berle’s naughty bit.
The mini episodes have Gilbert and Frank talking about a particular obsession with old movies, TV shows, songs, etc.
Be warned! Gilbert sings on virtually every show. Otherwise, the podcasts are thoroughly entertaining.
The Greatest Generation No, it’s not about Tom Brokaw’s favorite generation. This podcast is hosted by Benjamin Harrison and Adam Pranica, who admit they are both a little bit embarrassed to be doing a podcast about Star Trek: The Next Generation. It’s silly and it’s fun with plenty of dick and fart jokes thrown in.
The hosts watch an episode, going in order, and try to figure out if it was a good show or not. They have running jokes about an inappropriate relationship between Capt. Picard and young Wesley Crusher (the boy?), Cmdr. Riker’s absolute need for sexual consent and his lascivious use of the holodeck, and how Data is way too dangerous to be allowed to remain in Star Fleet. And each host has their pick of a “Drunk Shimoda.” You’ll have to listen to learn what that is.
You Must Remember This Host Karina Longworth takes listeners on a journey through the “secret and/or forgotten history of Hollywood’s first century.” Not as funny as the other podcasts on this list, but this show is well-researched and is endlessly fascinating. The production is very good with Longworth and other voice talent playing parts of the producers, writers, actors, and moguls of old Hollywood.
If you are a fan of old Hollywood and are interested in its history, this should go to the top of your list.
Each of these suggested podcasts use adult language and themes, so they may not be suitable for all listeners. All are available through iTunes.