Category Archives: Comic Book Covers

Tonto Is Surprisingly Menacing On This Great Cover

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This month’s great comic book cover is a surprisingly menacing one. It’s also surprising that it’s by Dell Comics and not EC. Being that it is from late in comic books’ Golden Age, I wonder if it caused anti-comic book crusader Sen. Estes Kefauver any pause for concern.

The popular series The Lone Ranger, with Clayton Moore as the title character, was still in its original run on television when this issue of Tonto hit the newsstands (issue #16 dated August-October, 1954). The Lone Ranger’s faithful companion had gotten his own comic book series and, on this cover anyway, it seems he’s quite the badass!

Not only is the coloring of the cover dark, the tone is dark. Very dark. It sure looks as though Tonto might be more than willing to break that bad guy’s neck. He shows no signs of mercy. His deadly serious look of calm determination is in stark contrast to the look of fear in the bad guy’s eyes. “D-d-don’t kill me, M-m-mister Tonto!”

If the baddie wasn’t wearing the nose and mouth covering handkerchief (the disguise of choice of villains in Hollywood’s Old West) and we didn’t know it was Tonto this cover would certainly have us thinking a Native American is going to kill. With his bare hands!

Don Spaulding’s illustration is masterful. Beautifully done in those darker colors with a flat black background. Tonto’s expression is terrific, if damn cold. Those hands are fantastic and, along with the clothing, look almost photographic.

This really is a great cover.

Packing Peanuts!

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Warehouse Find is the official blog of NostalgiaZone.com, where you can find books, games, toys, cards, and a huge selection of Golden, Silver, Bronze, and Modern Age comic books. Jim also has a podcast called Dimland Radio. He’d love it if you checked it out. It’s available on iTunes.

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She’s Wanted And On A Great Cover

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Returning to my weekly blog (did you miss me?) just in time to showcase another great comic book cover as part of my monthly series focusing on some of the great covers in the history of comic books. This month I stay with DC Comics (last month I did a Superman: The Man Of Steel cover) to examine the cover of Wonder Woman #240 from February, 1978.

This cover is a little unusual for a super-hero comic. There’s no battle. Wonder Woman isn’t shown to be in any immediate danger. The villain, if that is what he is, seems to be either moving quickly or nervously. It’s difficult to tell if those motion lines depict rapid movement or a shaky hand. I think it’s a shaky hand.

And is that a star on the cuff of the man’s coat? Is this man a general? Does his military status, the top secret file, and the wanted poster mean the American government is after Woman Wonder? What has she done?

So many questions brought up by the cover.

The artwork is top notch. Drawn by one of DC’s best artists Jose Luis Garcia-Lopez and inked by DC’s inking machine Dick Giordano. Garcia-Lopez’s style is crisp and clean. His linework is simple and elegant. And his action and anatomy drawing is terrific.

There’s an attention to detail on this cover that is very impressive. The perspective drawing is solid as the artist shows us the top secret file and stamp, the wanted poster, the drawer, gun, and even the everyday items found on a work desk. Right down to the paper clips in the cup and the wood grain on the drawer. There’s even a nick in the drawer to show the desk have been lived in.

Even with all those details, the reader never loses sight of the cover’s action.

I think it’s a great cover.

Packing Peanuts!

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Warehouse Find is the official blog of NostalgiaZone.com, where you can find books, games, toys, cards, and a huge selection of Golden, Silver, Bronze, and Modern Age comic books.

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This Month’s Great Cover Has A Lantern Jaw

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Just look at that!

In the January, 1993 issue of Superman (#75), our hero from the planet Kryton had died defeating what seemed to be an unstoppable foe: Doomsday. In the months that followed, as Superman lay “dead,” four characters stepped in to fill his sizable shoes. They were Eradicator, Superboy, Cyborg Superman, and Steel. Eventually, the real Superman rose from the dead (hardly anyone stays dead in comic books for very long) to take up the task of once again fighting for Truth, Justice, and the American Way.

This month’s great cover is from Superman: The Man Of Steel #25 (September, 1993). It was drawn by Jon Bogdanove and inked by Dennis Janke. Bogdanove had started working for Marvel Comics in 1986, then he hopped on over to DC Comics in 1991 and became part of the team that created the Man Of Steel title in an expansion of the titles featuring our hero from another world. Then, in the wake of Superman’s death, the team created a new hero named Steel to take over the title.

1993 was part of th23188at awful time period when comic book art began to drown in unnecessary linework. Lines! Lines! Lines! Marvel and Image Comics led the way in this era in which some artists forgot to leave room for color, adding more and more lines, while some inkers also abandoned the use of varying line weight to show the shape of things. Look at the cover of The Incredible Hulk #341 (March, 1988), drawn and inked by Todd MacFarlane, one of the artists who issued in this flood of undisciplined linework. Now, imagine there’s no color, it’s a black and white line drawing. Without the color it would be difficult to tell just what the hell is going on. So many unnecessary lines, which all have more or less the same weight to them.

Compare MacFarlane’s cover to this month’s great cover. Bogdanove and Janke use plenty of lines for shading, but the lines are disciplined. They are loose in their execution, but they are placed right where they are needed. There are thick and thin lines. They make sense. You can tell exactly what is going on. And they leave room for color, which was masterfully provided by Janke.

I love a good close-up and Bogdanove and Janke nailed this one. This, my friends, is how you draw an angry, determined, about-to-kick-your-butt Superman!

Packing Peanuts!

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Warehouse Find is the official blog of NostalgiaZone.com, where you can find books, games, toys, cards, and a huge selection of Golden, Silver, Bronze, and Modern Age comic books.

Correction (12-5-18): I had the scope of the Superman: Man Of Steel title wrong. When the series started in 1991 it featured Superman. I had originally indicated the series was created to fill the void of the missing hero. The correction has been made.

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A Great Comic Cover From The Days Before Zombies Were Played Out. (They Are Played Out, Right?)

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The best month of the year has once again arrived. Seriously, it’s awesome. The weather, at least where I live, is so much more pleasant than any other time of the year. Baseball’s postseason kicks off and, boy, I hope the Hated Yankees lose. (You should, too!) My wife and I celebrate our wedding anniversary. And the best month is capped off by the best holiday – Halloween!

Come on! How could any month be better?

Since the capper is Halloween, it’s my tradition to declare a comic book cover that depicts the macabre as great. So, this October I declare the cover of Batman #453 (Late August 1990) to be great. It was drawn by one of my favorite artists Mike Mignola, with inks by George Pratt.

Mignola is one of those artists who when he first started in the field attempted to conform to a more traditional superhero drawing style. Fortunately, he began to draw the way he wanted to and his work got so much more interesting. At least, to me.

This cover of Batman came out during the later stage of his change over in his style. And it’s great. Batman is best when he’s depicted on the macabre side (Kelley Jones also excelled at the macabre Batman) and Mignola’s deceptively simple line work is on par with David Mazzucchelli’s work on the Batman: Year One storyline from 1987. (A terrific story arc!)

Just look at it! Stark contrast, muted colors, a graveyard with a demon-headed tombstone, the Dark Knight, and the undead! It’s great, I tell ya! Great!

Packing Peanuts!

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Warehouse Find is the official blog of NostalgiaZone.com, where you can find books, games, toys, cards, and a huge selection of Golden, Silver, Bronze, and Modern Age comic books.

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Little Dot Returns On Another Great Cover

This cover of Little Dot may be less troublesome to folks who suffer from trypophobia (fear of holes) than the one I featured last September. But they still might want to take care.

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Almost makes you feel like dancing, eh?

Colors! This month’s great cover (Little Dot #119, October, 1968) is almost all about colors. I say almost because there is the overall composition and that great, well disciplined, and simple line work. As was the case with that other Little Dot cover, I don’t know the identity of artist. Last September, a couple readers made the educated guess that that cover was by Warren Kremer. This may be his, too. He did a lot of covers for Harvey Comics in those days.

It’s a playful cover showing Little Dot dancing to her favorite song. Hmm. 1968? I’m going to guess it’s Yummy Yummy Yummy by Ohio Express. Or it could be Richard Harris’s classic MacArthur Park. Perhaps it’s (in a thematic throwback to last week’s blog) Simon & Garfunkel’s hit Mrs. Robinson. Not matter. It appears to be a swingin’ tune.

And, yes, the colors. This cover pops right out of that black background. All those bubbles of multicolored notes swirling through the air make this one jump off the page. The white outline around our hero helps to define her form and keeps her from getting lost in the bubbles.

This is one of the funnest covers I’ve ever written about it this series.

It really is a great cover.

Packing Peanuts!

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Atlas/Seaboard Produced At Least One Great Cover

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Martin Goodman, founder of Marvel Comics, left his company in 1972 (he had sold it in 1968). He went on to form a new comic book and magazine publishing company called Atlas Comics in 1974. It’s referred to today as Atlas/Seaboard so as not to confuse it with Goodman’s other publishing company called Atlas that later became Marvel in 1961. He wanted to compete with the big two: DC Comics and, of course, his former company. He hired Stan Lee’s brother Larry Lieber as an editor and offered good money, along with rights to character creations and ownership of their artwork, to freelance artists to get them to come aboard.

He did get some of the big names in the field at the time. Steve Ditko, Neal Adams, John Severin, Russ Heath, and others all lent their considerable talents to the venture.

I can remember being excited about a new comic book company. I even bought a few of their comics. But, the mid 1970s was a rough time for comic books, even for the big two. Atlas just couldn’t compete and it folded in late 1975. None of their titles went more than four issues.

At least one great cover was produced in the upstart’s brief existence. This great cover isn’t by Adams or Ditko or any of the big name artists of the day. It’s also not by the then up and coming Howard Chaykin. No, this cover of the first issue of Targitt (March, 1975) was drawn and inked by Dick Giordano.

Giordano was more known for inking comics over at DC than for being an artist. But, as an artist, he was pretty good. You can see an influence from Neal Adams on this cover, most notably the arm of the bad guy wielding a knife. This makes sense, because Giordano inked a lot of Adams’ pencils for DC.

The Dutch angle might be a little on the severe side. I mean, they are obviously on a ship. Are the seas that rough? If so, why is the deck so dry? Oh. The bad guy’s “going down with the ship” comment isn’t just a pun? Well, the severity adds to the tension and impending action of the scene. Besides, I like Dutch angles.

I do think it was a mistake to have the guy with the speargun getting off a shot. He’s so close to a fellow standing stock still and yet he misses? Did he attend the Imperial Stormtrooper Academy™? Perhaps it’s just a warning shot.

I also like the idea of the character of Targitt. He’s an FBI agent bent on revenge against the Mob who was responsible for the death of his wife and child. There’s a whole Dirty Harry/Death Wish/Punisher vibe to the guy. But, Atlas decided over the next two issues to turn him into a costumed superhero. That was a mistake.

Atlas may have been short-lived, but they gave us this great cover.

Packing Peanuts!

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A Great American Comic Book Cover

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It’s a great Captain America cover despite it showing the patriotic hero having been defeated. He may be down for the moment, but we know he’ll triumph in the end. He always does. Or did in those days, anyway.

This is the first great cover installment featuring Marie Severin as the artist. There weren’t many women working as comic book artists back then. Marie was a pioneer. And she was great. She drew, she inked, and she would color the pages of some of Marvel’s greatest characters. For this May, 1970 issue of Captain America (#125) she provided the pencils and color, while it was Frank Giacoia who inked it.

There is a hint of Gene Colan’s style in this cover and that may be intentional, because Gene is the artist for the pages within. Marie may have been trying to mimic his style. However, I’ve always been more of a fan of Marie’s drawing style than Gene’s. His work was good. Very cinematic. But there was something about how he drew people. Hard to explain.

Marie’s high achievements on this cover are two fold. First, as the penciler, she has drawn such a natural-looking pose of defeat. Cap is unconscious and limp, yet we can still he is a powerful man. She quite literally used the “S”-curve design for her drawing of our defeated hero. The face of the unconscious First Avenger is very nicely done, as well.

Second is her use of color.

(Allow me to sidetrack a bit here. There really is something about the way the comics from my day were colored that make them so much more appealing to me. It’s probably because that’s the way it was done when I first learned to appreciate comic books and so it’s more familiar to me. I like the old way of laying out pages, too. The way comic books look now is fine and a lot of the stuff is great, but I guess I just prefer the old ways.)

Marie’s use of color and heavy black on this cover are terrific at suggesting defeat and dread. Cap has been captured and is being held captive in a cold and dank castle. The blue of his uniform even seems darker with that hint of purple. The use of grey to shade his face instead of flat black is also a nice touch.

Captain America, as drawn by Marie Severin, still looks great even in defeat.

Packing Peanuts!

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