The first Thursday of each month I write about what I think is a great comic book cover. This month I’m going to do it a little differently. I’m going to look at three great covers by one artist: Ernest Nordli.
There isn’t much information on the internets about this artist, except what I was able to find on Wikipedia. He was born in Salt Lake City, Utah in 1912. He studied art at Santa Barbara School of the Arts and he worked for Disney and animator Chuck Jones. Some of his credits include Dumbo, Fantasia, Sleeping Beauty, and One Hundred And One Dalmatians for Disney; and Broom-Stick Bunny and Rocket-bye Baby for Jones.
In the 1950s, Nordli worked for Dell Comics painting covers for issues of The Cisco Kid and The Lone Ranger. (I have seen Red Ryder Comics listed as having some of his covers, but I’m not sure. I can find only one source crediting one of those covers to him, but I don’t think he did it. The style doesn’t seem right.) The covers are terrific examples of illustration and design. I’ve chosen three of his covers that show what a fantastic illustrator he was.
First up is an issue of The Cisco Kid (#4, July-August 1951). There’s a great sense of movement in this illustration. We can see how much the hero enjoys fighting the bad guys in that expressive face. I love Nordli’s command of clothing, which is not easy to draw. Nor are hands, but the hands in his illustrations are exceptionally good.
I have previously declared the cover of The Cisco Kid issue #3 great in this blog series, but my sources did not know who the artist was. Judging by the similarities of the two covers, I believe #3 was also painted by Nordli. Click here for that previous blog.
Next up is a cover of The Lone Ranger (#39, September 1951) and it is a very intense action cover. Tonto appears to have been wounded (or worse yet killed!) and the Lone Ranger is in a desperate gunfight. The Lone Ranger and his companion are pinned down in the wilderness, will they survive?
The perspective drawing of the hero is expertly done. And the simplicity of the rendering of the rocks is awesome. It’s easy to look past the background, but note how Nordli does just enough to get the point across. Good stuff!
And, finally, I give you The Lone Ranger #41 (November 1951). Obviously, Tonto survived the cover of issue #39, but he and the Lone Ranger are once again in a desperate situation. They are scaling a rather steep rock face while avoiding being hit by falling debris.
The cover has all the same great elements as the previous two. There’s the attention to facial expressions and how clothes fold and move over a body. And those hands. Oh! The hands! They’re incredible. Nordli uses all these elements plus the pose and the lighting to make it really look as though our heroes are valiantly clinging to that cliff.
Three great covers!
Ernest Nordli died young at the age of 55 in 1968. It’s been speculated that his death may have been a suicide.
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