I’ve said this before: When I was younger and first collecting comic books, I didn’t really care for Jack Kirby’s artwork. I did come to appreciate when I got older and had studied comic book art very closely and for a long time. Lately, I’ve been hearing other comic book collectors saying the same thing. Although they haven’t said how much they’ve studied the art, they have come to an appreciation and love for Kirby’s genius.
With this month’s great cover, I think I might have been a fan of Kirby in my younger years, if one thing would have been true. If Bill Everett would have inked more of the King’s work. In those days, Mike Royer, Vince Colletta, or Joe Sinnott were teamed with Kirby most often. They were all fine inkers, but Bill Everett, a excellent artist in his own right, seemed to really gel with his fellow comic book pioneer.
Look at that cover (The Mighty Thor #171, December 1969). Penciled by Kirby, it has many of his telltale features. There’s the round biceps, the odd-looking yet expressive hands, and those great skyscrapers. And, of course, that dynamic struggle pose between to super-powered foes. Kirby was so good at dynamic.
On this cover, there’s also a more defined anatomy. More restrained somehow. More disciplined. And I love the expression on The Wrecker’s (he’s the guy in the green jumpsuit) face. There’s something about those eyes. I attribute these elements of greatness to Everett’s inking. Everett should have been Kirby’s inker far more often. If this cover is any indication, they would have made a hell of a team.
It’s a great cover.
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