Last month saw the pop culture extravaganza that is the San Diego Comic-Con or, as it is more often referred to, simply Comic-Con. And, as has been the case for the last few years, there was the grumbling that Comic-Con was barely about comic books anymore. Some disgruntled voices decried the turning over of the convention to movies, television, and video games. Well, I’ve never been to Comic-Con, so I have no first hand knowledge of whether or not those complaints are warranted. I reached out to my friend and previous guest blogger at Warehouse Find, Michael Noble, who lives out at that end of the country and has attended his fair share of Comic-Cons to weigh in on this situation. Is it true that Comic-Con is giving comics the short end of the stick?
Here’s what Michael had to say:
Jim sez: “I’ve been hearing a lot about how Comic-Con almost completely lacks the presence of comic books … I thought you might have an opinion on that …”
You betcher Bippy I have an opinion on it.
I’ve heard this sentiment/concern/statement/chide countless times over the years. Over and over and over and over and over again.
Well … here’s the bottom line on it: It’s simply not true. Not in the least. I’ll elaborate in a moment.
First though, I’m going to pepper you with a little Comic-Con history to bring you up to speed.
Comic-Con International (better known as “San Diego Comic-Con” or “SDCC”) has been around since the 1970s when a merry little band of San Diego comic enthusiasts decided to put on a dry run mini convention (coined as the “Golden State Comic-Minicon”), a comic and multi-genre entertainment event, in the hope it would attract enough attention to launch a larger, longer event thereafter. And it worked. That one day get together in March of 1970 boasted 145 attendees and drummed up enough enthusiasm to fuel a 3-day, 300+ attended event in August of the same year. Each year thereafter, attendance swelled. It topped 1,000 just a few years later in 1973, ballooned past 10,000 in 1989, grew to 100,000+ in 2005 and currently fills the halls of the San Diego Convention Center and surrounding venues and hotels annually with more than 167,000 attendees.
The idea of Golden State Comic-Minicon featured comic books and science fiction/fantasy related film and television primarily. Since, the convention hosts a huge array of popular culture elements spanning a wide swath of genres which include horror, animation, anime, manga, toys, collectible card games, video games, webcomics, and fantasy novels.
But its tenet, its mission statement, has never wavered. In part its declaration states a dedication to “… creating awareness of, and appreciation for, comics and related popular art forms, primarily through the presentation of conventions and events that celebrate the historic and ongoing contribution of comics to art and culture.” Note that “comics” is the first and foremost item featured in that credo and continues throughout. And guess what? Comic-Con has never let that aspect of its being falter.
Now … it’s elaboration time as promised.
To be certain, San Diego Comic-Con – monster of a multi-day event that it’s become – is filled to the brim with all things popular culture, not just comics. There’s no doubt about that.
I’ve attended SDCC since the 1980s. I know of what I speak. I’ve seen its change and progression first-hand, from participation in the mere thousands to the hordes who now populate its halls, panels, seminars, workshops and exhibitor floor space. The days of being able to walk up to a kiosk to purchase tickets for next year’s event and be on your way without jumping through hoops? Long gone. A distant and fond memory.
But if you’re of the mind that the comic aspect of it has been lost to (or overwhelmed by) all that surrounds Comic-Con’s Mission Statement, you’re either: 1) lazy, or 2) obtuse.
Comic books, comic art, comic artists and writers and their ilk, comic related materials, instructive panels and workshops, artwork reviews, ad nauseum are the backbone of Comic-Con. Part of the fun of attending the show is delving into it head first to find that sought-after issue of Fantastic Four to pad your collection. It’s the discovery of a once-out-of-reach original Superman cover surprisingly within your grasp after all those years of admiration. It’s that illusive artist (like Mike Ploog who I’ve written about previously) waiting around the corner to sign an autograph, snap a photo with or commission a sketch from.
All you have to do is delve in and not be seduced by the glitz and glamour of the ever-present Hollywood machine or the scantily clad cosplayers. Stay mindful of what The Con is about and you’ll see, plain as day, Comic-Con hasn’t lost its comic book roots in the least.
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