Another excellent cover…

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In this installment of my monthly look at comic book covers I really like, I’ll be looking at the cover of Fantastic Four #263 (Feb. 1984). The cover was illustrated by one of my favorite comic book artists: John Byrne. When he drew this cover, he had already been both drawing and writing a substantial run of the Fantastic Four series, starting with issue #232.

Bryne was given the task of revamping Marvel Comics‘ signature super-hero family: The Fantastic Four. Some of what he did was to bring the group more in line with their original look. He did away with the super-buff Mister Fantastic and made him thinner, less super-hero, more super scientist. He reworked the look of the Thing, he would even return our ever-lovin’ blue-eyed monster to the lumpy, Jack Kirby original version for a time. The groups’ uniforms no longer appeared painted on, there were folds and creases again as when Kirby designed them.

Byrne even explored the potential of the Invisible Girl. He had her go evil for a time, which seems to be his thing. He was involved with the Dark Phoenix of the X-Men series and her going evil. And he had the Scarlet Witch give into the temptation of evil during his writing and drawing stint on the Avengers. He must really like ELO’s Evil Woman.

Once he was done making the Invisible Girl far more powerful than she had been and put her through her evil phase, he rechristened her the Invisible Woman. Progress! Did I mention this was 1984?

This stint drawing the FF was not Bryne’s first go ’round. He had done the breakdown pencils and layouts for a while earlier. Joe Sinnott, the great inker from the Golden and Silver Ages of comics, but this was the Bronze Age and his inking seemed… meh, did the finished art for those issues. One could barely tell Byrne had anything to do with the art of those stories.

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Sinnott’s inks, not helping.

Be that as it may, when Byrne took over the FF writing and drawing, he churned out some intriguing and entertaining stories and some excellent art. I will say this wasn’t the height of his art, which he achieved on the X-Men with the help of inker Terry Austin, but still very good stuff.

This month’s cover (see above) is very dramatic. The Thing is desperately trying to find Johnny (the Human Torch) in some kind of inferno of debris. I’m not sure  Johnny can be burned, he is the Human Torch, after all. Still, the Thing is determined to rescue his little “brother”.

The high contrast inking and color, using mostly orange and yellow with white highlighting, makes this cover feel very hot. And it makes Ben Grimm’s desperate search more desperate. I also like the dry brush inking (or maybe it’s charcoal) to create the texture of the burning debris and smoke.

It’s a terrific cover. Worthy of high praise. Which I just gave it.

Packing Peanuts!

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